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Welcome to Cinematography.com

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Why You Should Join Now - last post by Tim Tyler

General Discussion

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Redcode vs CinemaDNG raw - last post by David Mullen ASC

Lighting


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lighting advice for high po... - last post by Shermen L

Camera Operating

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Shooting 2 cams or 1? - last post by Satsuki Murashige

Steadicam

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AC's & DIT's

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Common Camera Report Lab In... - last post by James Malamatinas

Gripping

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Technocrane Time-lapse - last post by Chad Lancaster

Visual Effects Cinematography

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"Jersey Shore" effect - last post by Arrigo Verderosa

Grading, DI and Telecine

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Redcode vs CinemaDNG raw in... - last post by Shermen L

Students and New Filmmakers


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Helpful answers to the most basic questions.

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lighting advice for high po... - last post by Shermen L

News / Press

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American Cinematographer An... - last post by KH Martin

Cameras Systems and Formats


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Victor Cine model 5 - last post by Dom Jaeger

Lenses and Lens Accessories

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new Angenieux Optimo anamor... - last post by Rob Wilton

Camera Accessories and Tools

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Help/advice choosing a trip... - last post by Satsuki Murashige

Film Stocks and Processing

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processing consistency - last post by Robert Houllahan

Books for the Cinematographer

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Book Recommendations - last post by David Landau

Cinematographers

Discussions about professional DP's

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What camera to choose? - last post by David Peterson

In Production

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Star Wars Episode 7 - last post by freddie bonfanti

On Screen

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Meteor (1979) - last post by David Mullen ASC

Cine Marketplace


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Read the FAQ!

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FS: Angenieux 14.5 mm f/3.5... - last post by John Jaquish

Business Practices / Unions

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The End of Unpaid Interns i... - last post by Gregory Irwin

Jobs, Resumes, and Reels

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Looking to work for free wi... - last post by Matthew Padraic Barr

Please Critique My Work

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DeadPool Origins. - last post by Alex Fuerst

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From Brazil - last post by Alexandre D'Lou

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