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What can't you do when... - last post by Tyler Purcell

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Latest Posts

  • My reel is missing something. I 
    I think you should make it separate reels, as in a Narrative/Music Video and a separate Commercial Industrial reel. The cut; for example between Crayola and a Music video is pretty jarring (and in...
  • RentMovieGear.com, Sioux Falls, United States 
    Reuben, You should probably contact the site owner, Tim Tyler, if you want to advertise your company on his site.
  • Apologies for the Emoji. 
    I'm getting real down on Apple; it seems they are all about emojis now. I meant to write Arri B instead of Arri emoji.  
  • Shooting film with Mixing and Matching Footage in Mind. 
    It appears that Ultra 16 width is about 92-94% of S16. My colleague just spoke to Bernie O'Doherty on the subject and the cost of S16 conversion plus purchase of new Zoom would be way more than our...
  • A few questions, please. 
    Hello, i have an Angenieux 9.5 - 57 lens (Arri with a Chroziel-Munchen (CM) zoom attachment on it. The CM ring closest to the front of the lens changes the focal length when twisted. That rin...
  • Dennis Doros Elected AMIA President 
    The Association of Moving Image Archivists (AMIA) announces that Dennis Doros, co-owner of Milestone Films, has been elected president of the international association by AMIA members. Doros will b...
  • PTA as his own DP for 'Phantom Thread' 
    Perhaps it was a bad idea being dp for Pta
  • Selling Arri 435 ES Package - 
    Yes the 435 can be used as a handheld system. Not as light as a 235 but definitely possible
  • Film light quantitative information sources 
    Hey guys,I was just wondering if anyone has a resource or book with detailed information on common light units used in film. I'm talking polar luminous intensity graphs, information on candelas, e...
  • Which 2 of these 3 shots cut? 
    Thanks everyone. I like Adrian's idea about an extra shot.
  • Film Camera Picture thread 
    I always wondered about that. For some reason, Eclair NPR footage never seems as shaky as these Aaton cameras. Could be because of who is holding them but I don't know.
  • Could Digital Kill Film? 
    I didnt imply that one prefers EVERYTHING one grew up with. But a lot of peoples notions of what cinema should look like are based on what they admired at the most impressionable period of their li...
  • Show us your van fitouts! 
    Mark, the Rocknroller carts fold nicely.  https://www.amazon.c...t/dp/B00NKQYFF2   I have the biggest one but most users have the R12 which is only slightly different.   The gripngaf...
  • Fs7 and Lighting ratio 
    with the mk1 the cine-EI was 2000 but it may have changed on the mk2.  A good practical ISO for the FS7 is somewhere around ISO1000 by my experience and one can experience blue channel co...
  • Orwo N74 negative 
    Je dirais huit minutes à 20 degrés Celsius, agitation continue. Try out, experiment, take notes.
  • What kind of filmcores for this Eclair Cameflex 100ft mag? 
    A- und B-Kerne sind alte Sachen, das hat sich wohl schon in den 1950er Jahren verloren. Ich kenne halt auch altes Zeug.Du kannst leicht etwas aus Holz drechseln (lassen). One needs to know the...
  • DJI Focus  
    Hi Jon – no problems so far, no.  The system is great and I've used it across Ultraprimes, vintage Lomos and Superspeeds.  I now have a spare motor just in case. DJI repla...
  • ALEXA MINI + AR and 4:3 Licenses + accesories 
    Price: 48.000€
  • 16mm opt e mag sound projector 
    What do you think about Meopta 16 mm projectors?I think that the Meopta Meoclub clectronic 2 is a very good projector, with a magnetic record feature.
  • Nikon D500 or Sony Alpha 7 
    Well I see no point in DSLRs for video. They're almost completely redundant for photography (not quite yet, but almost). But for video, what are you going to use the mirror box for? The A7, or any...

 
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