Thanks for the link to the test footage. Gives some idea how it would look in Super 16mm format and when professionally processed. The best shots are clearly when the sun is out I can't get over that yellow T shirt man and the Rose I think this stock is going to be just lovely to shoot with.
Someone mentioned this maybe is closer to 64T not that I got chance to shoot that as a 16mm guy and they have gone up the saturation scale a notch but not fully to the original 7285 territory which yes of course was called Very saturated and boy was it! But this is a nice compromise to keep everyone happy. I think the reason it continued in VS is that the original kodak film catalogues had Kodakchrome and Ektachrome as a choice and you could go normal colour pallet or fully saturated. The Kodachrome went leaving only the VS Ektachrome option. They tried reformulating and came up with 64T less VS but clearly never really happy with it hence it not lasting long and never hitting 16mm. They have finally reformulated properly and got something a nudge up from Neutral which as I say I think will please most people most of the time. After all the alternative reversal film is....?
Did anyone shoot the Agfa / Wittner Chrome 200D. I believe supply of that is nearly exhausted everywhere. I need to have a look at the one roll I shot with it this year. The Film Ferrarnia guys really missed there window to capitalise on there being no new Color Reversal didn't they!