Jump to content


Photo

Sunrise/Sunset


  • Please log in to reply
3 replies to this topic

#1 Adam Wallach

Adam Wallach

    New

  • Basic Members
  • Pip
  • 2 posts
  • Student

Posted 07 September 2007 - 02:36 PM

Whats a better stock for sunset and sunrise scenes, outdoor or indoor? I know the color temp. is around 2,000K for sunrise and sunset so I guess since its closer to 32K the 56K it be better to use a indoor balanced stock.

Thanks
  • 0

#2 Chris Keth

Chris Keth
  • Sustaining Members
  • 4427 posts
  • 1st Assistant Camera
  • Los Angeles

Posted 07 September 2007 - 08:04 PM

Whats a better stock for sunset and sunrise scenes, outdoor or indoor? I know the color temp. is around 2,000K for sunrise and sunset so I guess since its closer to 32K the 56K it be better to use a indoor balanced stock.

Thanks


Ask yourself this before you go any further: Do you really want to try and match the color temp of sunrise/set? The beauty of them is that the light is colored and you would be recording it as neutral on film.
  • 0

#3 Robert Hughes

Robert Hughes
  • Basic Members
  • PipPipPipPip
  • 873 posts
  • Sound Department
  • Minneapolis

Posted 09 September 2007 - 01:39 PM

Sunrise/sunset can be shot with tungsten film without a filter. The color temperature changes continuously, so do your color correction in post rather than trying to chase it in the field. If you have artificial lighting keep in mind it will NOT be changing color temp, so your background/foreground color match will be changing by the minute.

Edited by Robert Hughes, 09 September 2007 - 01:41 PM.

  • 0

#4 David Mullen ASC

David Mullen ASC
  • Sustaining Members
  • 20038 posts
  • Cinematographer
  • Los Angeles

Posted 09 September 2007 - 07:37 PM

Generally people want a sunset or sunrise to render warm on film, so they work with a 5500K balanced stock or filter a 3200K stock if they can. You can shoot on 3200K stock unfiltered and record a bluer sunset/sunrise and add the warmth back in later in post, but you won't have recorded much warmth on the negative that way.
  • 0


Broadcast Solutions Inc

Wooden Camera

Paralinx LLC

Aerial Filmworks

FJS International, LLC

Willys Widgets

Visual Products

Tai Audio

The Slider

Media Blackout - Custom Cables and AKS

Abel Cine

Ritter Battery

Technodolly

CineLab

Glidecam

CineTape

Gamma Ray Digital Inc

rebotnix Technologies

Metropolis Post

Rig Wheels Passport

Tai Audio

Willys Widgets

CineLab

CineTape

Ritter Battery

Visual Products

The Slider

Paralinx LLC

Gamma Ray Digital Inc

Aerial Filmworks

Wooden Camera

Technodolly

Glidecam

Broadcast Solutions Inc

Media Blackout - Custom Cables and AKS

rebotnix Technologies

Rig Wheels Passport

FJS International, LLC

Metropolis Post

Abel Cine