Edited by Robin R Probyn, 25 February 2018 - 07:54 AM.
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106 replies to this topic
Posted 25 February 2018 - 07:53 AM
Posted 25 February 2018 - 07:55 AM
Can't be here. The are trains, as opposed to apologies and a replacement bus service...
Posted 25 February 2018 - 07:56 AM
Yes I long way from Liverpool Street.. ..
Posted 08 March 2018 - 06:19 PM
It was in the mountains in Madrid.. very crispy!!!
Posted 22 March 2018 - 09:02 PM
We had some workshops with Michael Cioni and the DXL2 here at Panavision Melbourne, first time we've seen the camera in this country. Looks pretty impressive, lots of features specifically tailored for ACs, best EVF I've seen, intuitive menu, 1600 native ISO and the pictures it made were excellent. There's been a lot of thought put into this design.
Sorry for my picture quality, we had very low light levels (even just candlelight at one point) because the camera is so sensitive, and my iphone camera doesn't quite perform as well.
One of the most fun aspects was getting to test the multitude of lenses that Panavision have for large format cinematography, including the new Primo Artistes, Primo 70s, T series anamorphics, and vintage lines like the System 65s (from the 90s), Sphero 65s (originally made for MGM in the late 50s and rediscovered a few years ago), Super Panavision 70s (Lawrence of Arabia, My Fair Lady etc) and of course the incredible 1.25x squeeze anamorphic Ultra Panavision 70s used on Ben Hur and reborn for the Hateful Eight and Rogue One.
We also had a T1 Ultra Speed converted for large format; wide open at 1600 native ISO the candles were almost too bright! DOF was ridiculous. The ACs went a bit pale when that one came out.
At least two DXL2s will now stay in Australia as part of the rental fleet, so I'm looking forward to seeing what local filmmakers and crews will do with them.
Posted 30 March 2018 - 03:39 PM
Steadicam operator Roger Tooley looking good!
Posted 13 April 2018 - 05:10 AM
Shooting with Aaton XTR XC with Kodak Vision3 500T at the Gibraltar Crystal handmade glass factory in Gibraltar for their marketing......(image has notes to myself haha) I'm the one man band behind the camera of course, the BTS was taken by the client....
Posted 13 April 2018 - 06:58 AM
A winning combination: great location, artistic subject, and film.
Posted 13 April 2018 - 08:26 AM
hey thanks Jon! appreciate the kind words
Posted 13 April 2018 - 01:42 PM
Last Friday's office. Time lapse edition!!
We we're shooting a "Rube Goldberg Machine". Didn't build the entire thing so we shot bits and pieces to edit together to look like it was operational.
Edited by Matt Thomas, 13 April 2018 - 01:48 PM.
Posted 25 June 2018 - 02:33 PM
We have 75 meters of tracks tomorrow and on Wednesday
Posted 13 September 2018 - 02:32 AM
Last two days.
Had great fun working with the Arrihead.. and the Cooke S5i lenses.
Freya would be shocked, knowing that I'm an anti Cooke man hahaha.
I fell in love with the images coming from the Cookes! They are quite beautiful.
Posted 09 October 2018 - 06:38 PM
...and i'm having a coffeebreak
working on a project called "The Burglar"
Posted 10 October 2018 - 08:28 AM
Posted 30 November 2018 - 09:50 AM
Yesterday's project, for a NGO.
Vision 3 and Alexa Mini + Leica Summilux.
Posted 06 December 2018 - 05:21 AM
The Steenbeck in Hackney for a BBC show.
Grips are stars. These chaps carried it 50 yards and up eight steep stone steps. It weighs 150kg.
Edited by Mark Dunn, 06 December 2018 - 05:23 AM.
Posted 06 December 2018 - 05:38 AM
Posted 06 December 2018 - 09:26 AM
You don't see many of them anymore, at least not in my local.
Posted 07 December 2018 - 07:11 AM
Mine neither, which is why the BBC comes to me!