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Hannah Getz

Member Since 30 Aug 2015
Offline Last Active Jun 10 2018 08:00 PM
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Topics I've Started

Flickering/Pulsing Overhead Light Effect

05 June 2018 - 03:05 PM

I have a short coming up where I'll be shooting in a subway car standing set. I need to accomplish two things: a chase for the lights within the subway tunnel and a flicker of the overhead practicals. For the flicker I'd like to see the practicals themselves. Unfortunately I have yet to scout the set as production is a mess. This is a really low budget shoot so I need to figure out something crafty. My immediate thought for the practicals was to replace the existing units with Quasar or Astera tubes (especially since the Astera can be used wirelessly). The chase and the flicker will occur in the same scene.

 

Any advice/ideas is greatly appreciated! 


Matching Day for Night to Night for Night

07 February 2018 - 04:45 PM

I have the spectacular challenge, due to budget, of attempting to match day for night to our night for night footage. I have a feeling this will end up being a sad time in the DI where my night for night is graded to look more like day for night, but what can you do.

 

My biggest concern is matching quality of light as best I can. I know the rule of thumb is generally to get some spots of day light light while avoiding the sky. Some of the matches will be for ECUs which I'm not as concerned with, but the wider matches are what I fear the most. 

 

Any and all suggestions are greatly appreciated!

 

I've attached some ungraded lo res stills.

 

Attached File  Screen Shot 2018-02-07 at 1.30.07 PM copy.jpg   55.33KB   8 downloads

 

 

Attached File  d4n match3_1.1.1.jpg   45.01KB   8 downloads

 


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New Pro Video - New and Used Equipment

FJS International, LLC

Paralinx LLC

Visual Products

Gamma Ray Digital Inc

The Slider

Wooden Camera

Broadcast Solutions Inc

CineLab

Glidecam

Ritter Battery

CineTape

Willys Widgets

Media Blackout - Custom Cables and AKS

Technodolly

rebotnix Technologies

Tai Audio