Whenever we shot stuff at school, we would send the negative to FotoKem to be processed -- then we'd get the original negative and workprint back and we'd watch our stuff projected. Our school has always paid for this.
Now that we are shooting and paying for our own thing, I wanted to know if a workprint is really needed, considering we plan to do a 1080p Telecine (at another post house) once the neg has been processed by FotoKem. Are there any advantages to the workprint?
Should I just instruct the lab to PREP FOR TELECINE on the camera report? (again, FotoKem will not be doing the telecine; it is another post house).
Edited by Andrew Kassagi, 12 June 2009 - 02:24 AM.