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John Rizzo

Member Since 21 Dec 2006
Offline Last Active Today, 06:54 AM
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Posts I've Made

In Topic: 35 neg to 16 workprint

12 January 2019 - 09:07 AM

This workflow was somewhat common in the late 70 through mid 80 s  on lower budget films, I m not so sure on how less expensive this work flow was, being all the film labs back then had reduction printers maybe it wasn't. Anther step the filmmakers had to go through is once the reduction print was made before cutting it for editing  the work print and matching 35mm negative then had to have a new edge-code applied to the 35mm negative, the 16mm work print and the 16mm mag this was necessary so that the negative cutter can accurately cut the 35mm negative to the 16mm work print. We at Metro Post are currently building a new lab in New Jersey we will be offering to start S8.16mm b/w reversal processing Ektachrome S8/16mm reversal processing  I m also installing all 3 of my SEKI optical printers there with those we can do 35 to 16 reduction 16 to 35mm blow up super 35mm to anamorphic 35mm and 1 to 1 printing all wet or dry gate.


In Topic: Kodak NYC Lab???

06 December 2018 - 10:07 PM

Kodak lab process super 8 in a 50 ft per minute photmec machine not 100 ft per minute.


In Topic: Kodak NYC Lab???

04 December 2018 - 07:27 AM

Their super 8 processing is totally fine, since they started Super 8 we processed over 125 cartridges there.  


In Topic: Overly noisy 35mm results on Kodak 5219 Pushed

04 September 2018 - 07:26 PM

also what scanner was it done on?


In Topic: Transfer Company = New Lasergraphics "Director 10K"?

03 September 2018 - 08:30 PM

Hey Guys

 

I just got back from Hollywood and one of he things I attended was the REEL THING Aug 23 through Aug 25 at the Linwood Dunn Theater one of the presentations was called Burden of 10k Dreams 

presented by Anthony Matt of Prime Focus and Laurel Warbick of HBO they scanned a section from a camera negative of a HBO Feature from 1995 in both 4k Director(done by my facility Metropost in NY and on the Lasergraphics 10 Director done at Lasergraphics Headquarters in Irvine Calif.  They showed the results in split screen side by side I can tell you ha there was no apparent gain in quality of the 4k vs the 10k. Not to mention the insane file size of one single 10k frame. 


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Broadcast Solutions Inc

New Pro Video - New and Used Equipment

Wooden Camera

Gamma Ray Digital Inc

Ritter Battery

Rig Wheels Passport

Tai Audio

FJS International, LLC

Metropolis Post

Visual Products

Glidecam

Media Blackout - Custom Cables and AKS

Paralinx LLC

CineLab

Abel Cine