Jump to content


Photo

WARM HOUSE PARTY LIGHTING


  • Please log in to reply
2 replies to this topic

#1 freddie bonfanti

freddie bonfanti
  • Basic Members
  • PipPipPipPip
  • 315 posts
  • Gaffer
  • LONDON

Posted 28 November 2005 - 10:39 AM

i am shooting soon an advert and i would like to achieve the soft warm cozy look of a student house party. (main reference garden state, the party scene). i am shooting on vision 2 200T and i was thinking about using diffusion and slightly underexpose it. the camera is a 16mm arri SR2. would you recommend and filter or gel to use to get that soft tungsten light orangish look? but not extreme, just noticeable...

thanks

federico bonfanti

edinburgh college of art
  • 0

#2 Dimitrios Koukas

Dimitrios Koukas
  • Sustaining Members
  • 569 posts
  • Cinematographer
  • Athens, Greece, London UK

Posted 28 November 2005 - 10:50 AM

i am shooting soon an advert and i would like to achieve the soft warm cozy look of a student house party. (main reference garden state, the party scene). i am shooting on vision 2 200T and i was thinking about using diffusion and slightly underexpose it. the camera is a 16mm arri SR2. would you recommend and filter or gel to use to get that soft tungsten light orangish look? but not extreme, just noticeable...

thanks

federico bonfanti

edinburgh college of art

I guess it is a night party?
Some china balls in the set with photoflood bulbs in it will do the job, they can be hanged easily and they don't require huge wattage.
If you dimm them you will get the warm look you want.
Also use as many practicals as u can in the frame or near the actors, they will give a nice warm-soft look, if placed in the right places.Avoid green/blue ones.Use red, amber or orange.
Dimitrios Koukas
  • 0

#3 Oli Soravia

Oli Soravia
  • Basic Members
  • PipPip
  • 51 posts
  • Cinematographer
  • Europe

Posted 29 November 2005 - 01:15 PM

i am shooting on vision 2 200T and i was thinking about using diffusion and slightly underexpose it. the camera is a 16mm arri SR2. would you recommend and filter or gel to use to get that soft tungsten light orangish look? but not extreme, just noticeable...

Is it going to be timed in telecine? If so, I wouldn`t use any filter in front of the lens. Filter it later in telecine. It`s easier to see what you get and you don`t destroy your neg. Try to overexpose the neg in nominal manner (200asa exposed 125 asa, as an example) to get rich color saturation and fat blacks, regarding the amber hues, as an additional alternativ to dimmed chinese lanterns (dimmers are more expensive than gels), you can put some 1/2 or 3/4 or full cto - or even more - around the lanterns, Depends on what you like. You will need some fast lenses unless you`re not going to put lots of lanterns to the whole scene. Good luck.
  • 0


Technodolly

FJS International, LLC

Rig Wheels Passport

The Slider

Ritter Battery

CineTape

Media Blackout - Custom Cables and AKS

Broadcast Solutions Inc

Glidecam

CineLab

New Pro Video - New and Used Equipment

Willys Widgets

Wooden Camera

Metropolis Post

rebotnix Technologies

Aerial Filmworks

Tai Audio

Visual Products

Paralinx LLC

Abel Cine

Gamma Ray Digital Inc

Metropolis Post

Media Blackout - Custom Cables and AKS

The Slider

Technodolly

CineTape

Visual Products

Abel Cine

FJS International, LLC

CineLab

Rig Wheels Passport

Aerial Filmworks

Wooden Camera

Broadcast Solutions Inc

Willys Widgets

Gamma Ray Digital Inc

Paralinx LLC

Tai Audio

New Pro Video - New and Used Equipment

Ritter Battery

rebotnix Technologies

Glidecam