Jump to content


Photo

C.C. for data to film


  • Please log in to reply
No replies to this topic

#1 martinboege

martinboege

    New

  • Basic Members
  • Pip
  • 9 posts
  • Cinematographer

Posted 02 January 2006 - 01:43 PM

Hello there, I would like to post some doubts I have:
I am about to get in to the telecine for a color correction (black and white (5222 in this case), to make a data to film for a feature film. Final images for the data to film are in hd (not enough money for doing it in 2k or 4k). So I did a test and my problem is the amount of digital grain that the whites brings out . Also when ussing a power window to darken for example the bright sky. So the question is, what should be the tolerance the, "reality" telecine may bear for bringing down the lights in the power windows; and the other is if the rule of keeping the whites below the 95% ires is something to follow trluy.
I hope my post is clear for every one, These forums have been very usefull to me.. thanks..
martin boege dop, mexico city.
  • 0


New Pro Video - New and Used Equipment

Ritter Battery

FJS International, LLC

CineTape

Gamma Ray Digital Inc

Wooden Camera

Paralinx LLC

Aerial Filmworks

Rig Wheels Passport

rebotnix Technologies

The Slider

CineLab

Abel Cine

Broadcast Solutions Inc

Visual Products

Media Blackout - Custom Cables and AKS

Metropolis Post

Tai Audio

Willys Widgets

Glidecam

Technodolly

Abel Cine

Wooden Camera

Technodolly

Aerial Filmworks

CineLab

Metropolis Post

Media Blackout - Custom Cables and AKS

FJS International, LLC

rebotnix Technologies

CineTape

New Pro Video - New and Used Equipment

The Slider

Rig Wheels Passport

Paralinx LLC

Visual Products

Broadcast Solutions Inc

Glidecam

Tai Audio

Ritter Battery

Gamma Ray Digital Inc

Willys Widgets