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The Squid and the Whale?


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#1 Chris Burke

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Posted 23 January 2006 - 10:29 PM

Just saw it last night and I was wondering, was it an optical blow up or DI? I really liked the film and the look of it. Super 16, yeah!


chris

:D
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#2 Jornenzal

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Posted 27 March 2006 - 10:26 AM

Just saw it last night and I was wondering, was it an optical blow up or DI? I really liked the film and the look of it. Super 16, yeah!
chris

:D



Chris -

Hi. I watched TSATW last night and felt exactly the same way. Really crisp, colorful images...

According the imdb, the movie was shot in 16mm, although I think they probably mean Super 16:

http://www.imdb.com/...67089/technical

-Kieran
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#3 digistar

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Posted 05 June 2006 - 09:57 PM

Somebody must know more about this movie (1) post.....

Edited by digistar, 05 June 2006 - 09:58 PM.

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#4 David Mullen ASC

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Posted 06 June 2006 - 02:05 AM

It was covered in both the Nov. 2005 issue of "American Cinematographer" and the Oct. 2005 issue of "ICG Magazine" (and for all I know, maybe the Kodak newsletter as well...) -- come on, don't tell me you guys don't even subscribe to the any magazines about cinematography!
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#5 Hunter Sandison

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Posted 06 June 2006 - 02:59 AM

[quote name='David Mullen ASC' date='Jun 6 2006, 12:05 AM' post='108756']
It was covered in both the Nov. 2005 issue of "American Cinematographer" and the Oct. 2005 issue of "ICG Magazine"

According to these articles it was an optical blow-up at DuArt. It was indeed shot on Super16mm not 16mm (7218,7246) with an Arri SR and mostly on a Zeiss Super-speed 16mm prime. Yeoman refers to the 16 as their "workhorse", also sometimes using the 12mm and the 24mm. Good movie.
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