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Best Light and Colour correction Development...


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#1 Goodwill

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Posted 04 March 2006 - 10:38 PM

Hey guys,

I just shot my film today, and I had a lot of underwater shots, and a lot of shots in which the lighting kept changing due to the constant flybys of clouds and such. I live in Vancouver, British Columbia, and was wondering how much it would cost to get my film processed with the development people looking and correcting the lighting, and how much it usually costs to get things color corrected. The place I am probably going to is Rainmaker, in vancouver as I have a discount card, but I wa sjust wondering how much something like this usually costs. Thanks!

Goodwill
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#2 Dominic Case

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Posted 05 March 2006 - 06:15 PM

There is no colour correction during development.

You don't say what you get back - a film print, or telecine transfer.

A one-light print would be uncorrected: a best-light print would be given a single correction that works - on average - best for the entire roll, but leaves your shot-by-shot variations uncorrected: a fully-balanced print would give you the best colour correction for every shot.

Similar rules apply to a telecine transfer.

Unless you have a rate card from the lab, you should call and ask them.
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Aerial Filmworks

rebotnix Technologies

Rig Wheels Passport

Technodolly

Tai Audio

CineTape

Glidecam

Visual Products

Gamma Ray Digital Inc