Jump to content


Photo

Gl2 Sound


  • Please log in to reply
1 reply to this topic

#1 Jesse.ocean

Jesse.ocean

    New

  • Basic Members
  • Pip
  • 1 posts
  • Director

Posted 17 March 2006 - 10:04 AM

I hope someone can help: I am going to purchase a Cannon GL2 for videographer work. A lot of the shooting will take place outside in Manhattan. The reviews I've read describle the Mic that comes with the camera as poor in quality. I was thinking of getting a Sennheiser supercardiod with a beachtek (sp?) but neither the Cannon website or the Sennheiser wesites are very helpful.
Does anyone have a link that can help me find a mic that a) atually fits the camera and B) is the best value. Also, does anyone have an opinion to the contrary on the mic choice for outside work? Any thought or opinions would be appreciated.
  • 0

#2 Peter Duggan

Peter Duggan
  • Basic Members
  • PipPip
  • 46 posts
  • Sound Department

Posted 17 March 2006 - 11:49 AM

I hope someone can help: I am going to purchase a Cannon GL2 for videographer work. A lot of the shooting will take place outside in Manhattan. The reviews I've read describle the Mic that comes with the camera as poor in quality. I was thinking of getting a Sennheiser supercardiod with a beachtek (sp?) but neither the Cannon website or the Sennheiser wesites are very helpful.
Does anyone have a link that can help me find a mic that a) atually fits the camera and B) is the best value. Also, does anyone have an opinion to the contrary on the mic choice for outside work? Any thought or opinions would be appreciated.



You'll need to get an adaptor if you want to plug the mic directly into the cam. It has a 1/8" mini-jack, but it sounds terrible and the design is weak. You can use any XLR mic with an 1/8" adaptor, so any mic will fit it, but I wouldn't recommend it due to the poor sound quality of the input type.

It would help to know what your budget is. I have used the Canon MA-200 adaptor for the GL-2 which is running for around $170 so I could digitally connect an XLR cable through the advanced hot-shoe mount on the cam and it sounds very good. If you can get a boom operator (and you'll need one if you're shooting outside in Manhattan), he can just rrun a line into that and monitor the recordings using the headphone out on the GL-2. Depending kon your budget, I would suggest the Sennheiser ME66/K6 mic which is fairly directional and has a very nice sound. It runs at around $500.
  • 0


Gamma Ray Digital Inc

Glidecam

Rig Wheels Passport

Visual Products

Aerial Filmworks

CineTape

Technodolly

FJS International, LLC

rebotnix Technologies

The Slider

Paralinx LLC

Metropolis Post

Media Blackout - Custom Cables and AKS

Tai Audio

New Pro Video - New and Used Equipment

Willys Widgets

Abel Cine

Broadcast Solutions Inc

CineLab

Wooden Camera

Ritter Battery

Ritter Battery

Visual Products

Tai Audio

FJS International, LLC

CineTape

Media Blackout - Custom Cables and AKS

The Slider

CineLab

Wooden Camera

Aerial Filmworks

Gamma Ray Digital Inc

Technodolly

New Pro Video - New and Used Equipment

Willys Widgets

Rig Wheels Passport

Abel Cine

Metropolis Post

Glidecam

Paralinx LLC

rebotnix Technologies

Broadcast Solutions Inc