Sure, the one-quarter of the man's face that is dark has no shadow detail, but that seemed fine to me -- you need a black reference in a frame anyway
Hi everyone! I was reading a production account of Akeelah and the Bee by david mullen, and he mentions the idea of keeping a black reference within the frame. I would like to know more about this if possible. Is it a general rule, or just for certain situations?
thanks, Ben (surrey institute)