Jump to content


Photo

Kodak 5205


  • Please log in to reply
3 replies to this topic

#1 Dan Goulder

Dan Goulder
  • Sustaining Members
  • 1259 posts
  • Cinematographer

Posted 25 March 2006 - 04:13 PM

Question for John: Has there been any change in saturation levels (or any other parameter) in 5205 over the past year? I was just comparing footage recently shot with both newer and older batches of the stock, and noticed a difference in color saturation, with the older batch actually looking a bit more saturated. Both look good, no complaints there. (The older stock still looks clean and sharp, with no signs of fogging or age deterioration.) There may be other factors accounting for the difference, and I'd just like to nail down the source by eliminating all possibilities. Thanks.

Edited by dgoulder, 25 March 2006 - 04:15 PM.

  • 0

#2 John Pytlak RIP

John Pytlak RIP

    (deceased)

  • Sustaining Members
  • 3499 posts
  • Industry Rep
  • Rochester, NY 14650-1922

Posted 25 March 2006 - 05:37 PM

Question for John: Has there been any change in saturation levels (or any other parameter) in 5205 over the past year? I was just comparing footage recently shot with both newer and older batches of the stock, and noticed a difference in color saturation, with the older batch actually looking a bit more saturated. Both look good, no complaints there. (The older stock still looks clean and sharp, with no signs of fogging or age deterioration.) There may be other factors accounting for the difference, and I'd just like to nail down the source by eliminating all possibilities. Thanks.


No changes that I know of.
  • 0

#3 Dan Goulder

Dan Goulder
  • Sustaining Members
  • 1259 posts
  • Cinematographer

Posted 25 March 2006 - 08:10 PM

No changes that I know of.

I figured as much, but just needed your verification before I hang this one on the colorist. Thanks again.
  • 0

#4 Laurent Andrieux

Laurent Andrieux
  • Sustaining Members
  • 1527 posts
  • Cinematographer
  • France

Posted 25 March 2006 - 09:32 PM

What do you compare them on ? If on taped TKs, may be the transfer parameters (so many of them, compared to a positive print...)
  • 0


Opal

Visual Products

rebotnix Technologies

Metropolis Post

Media Blackout - Custom Cables and AKS

CineLab

Abel Cine

Wooden Camera

Broadcast Solutions Inc

Tai Audio

The Slider

Ritter Battery

Rig Wheels Passport

Glidecam

Technodolly

Aerial Filmworks

Paralinx LLC

Gamma Ray Digital Inc

Willys Widgets

FJS International, LLC

CineTape

Willys Widgets

Glidecam

Technodolly

rebotnix Technologies

Broadcast Solutions Inc

Opal

CineLab

The Slider

Rig Wheels Passport

Aerial Filmworks

CineTape

Gamma Ray Digital Inc

Media Blackout - Custom Cables and AKS

Abel Cine

FJS International, LLC

Visual Products

Ritter Battery

Tai Audio

Paralinx LLC

Metropolis Post

Wooden Camera