lip syncing at different FPS for MV
Posted 04 April 2006 - 10:10 PM
I was wondering how do you slow down or speed up muisc so when you shot at 12fps or 40fps you can still lip sync the words? How do you know how slow or fast the song has to be to match the frame rate?
Posted 04 April 2006 - 10:25 PM
Posted 05 April 2006 - 05:14 AM
What if I wanted 33.333fps for a HMI safe shutter speed?
Posted 05 April 2006 - 08:52 AM
24 divided by 33.33 equals 72% speed, right?
Posted 05 April 2006 - 09:31 AM
Make sure those mags are loaded on set because film can really fly through the camera.
Posted 05 April 2006 - 09:56 AM
the whole video plays out in one smooth dolly shot (all at one speed), but with a contantly varying frame rate, all done in sync. the result is a mix of crazy eratic movemnt and beautiful slow mo stuff.
Logically it means a complete syncing of dolly movement (presuambly mo-co), fps and shutter ramping and playback speeds. It seems too perfect to be syncrynised by hand, so it makes me think that there must be kit available that can co-ordinate al three elements.
I know on the Pumkin's DVD there was discussion by the director and I think the DP, however my copy of it went walkies a long time ago.
I'd love to know the technical method that they employed to sync everything. Anyone?
Posted 05 April 2006 - 10:44 AM
That's going to be tricky. I suggest that the best way to do it would be to shoot it all at a high frame rate (if you can find a mag big enough) to an audio track you've prepared in After Effects, then copy the speed curves (somehow) from the audio track into a time remap track, preferably something using active interpolation like Twixtor. That way you could get your audio and visual speed changes in precise sync.
I can't think of a way of doing it with actual speed ramping that wouldn't involve custom electronics, whether you shot it on a Varicam or on film.
Posted 05 April 2006 - 11:01 AM
He lays down the music track in Final Cut Pro. That has a number of on-set advantages -- it's easy to jump around to markers set on the timeline, there is no waiting for a CD player to spin up, and he can quickly set a playback speed in percentage. You just calculate the rate needed for a shot, i.e. shooting at 48 fps, set the playback speed to 200%.
Posted 05 April 2006 - 07:03 PM
Ah crap, did i just get all the math backwards in my previous posts? My brain hurts. I'm think I got the on-set playback and post-production sync mixed up. You ultimately want the song at its natural speed in the final version, right? 100% at 24fps? So when you shoot overcranked in slo-mo, you need to speed up the song on set by the same percentage, not its opposite. So sorry, guys. Arrrgh!
shooting at 48 fps, set the playback speed to 200%.