Posted 07 April 2006 - 09:35 AM
Not only is it an absolutely brilliant film, but the cinematography floored me. Really visual, strong style. It kind of reminds me just how easy we solve things today in lighting and get away with it. Those guys really knew how to light and create moods in shadow and light.
For me, this is one of the best shot B/W films I've ever seen. It's right up there with Stanley Cortez, ASC's The Night Of The Hunter and many others.
Posted 07 April 2006 - 09:47 AM
The gobo/flash train-light motif alone makes this essential viewing for every DP.
I've always thought it was interesting how this film was produced by a cinematographer (Ronald Neame) who had nothing to do with the photography of the movie! Neame's work on Lean's BLITHE SPIRIT made around the same time could have easily been jack Cardiff or Georges Perinal.
Posted 07 April 2006 - 10:01 PM
Posted 08 April 2006 - 12:21 PM
I recently rewatched "I Know Where I'm Going", which has some wonderfully atmospheric b&w photography by Erwin Hillier.
---Also Roger Livesly, the male lead, couldn't go on location; so his scenes were shot in a studio and had to
intercut with shots of a double on location & it worked quite well.
Krasker also did some fine three-strip in 'Senso'. Thou he relaced the original cameraman, G.R.Aldo, who died in an automobile accident. Can't say who photographed what, other than Giuseppe Rotunno did second unit.
"Henry V" was suppossedly made on an almost 1:1 shooting ratio. Maybe using 75% of what was shot. Considering the elaborate camera moves involved, if true, that's amazing.
Marcus Aurelius' funneral in the snow in 'Fall of the Roman Empire' is a favorite scene.
Posted 08 April 2006 - 03:44 PM
Posted 08 April 2006 - 04:05 PM
Posted 08 April 2006 - 05:19 PM
Posted 08 April 2006 - 05:41 PM
Posted 08 April 2006 - 11:43 PM
Interestingly, Brief Encounters has a couple of dutch angle shots to suggest Celia Johnson's despair. This pre-dates the dutch angle shots in Guy Green's Oliver Twist, generally considered to be one of the first films to use such a trick.
Dutch angles date back to the Silent Era -- German Expressionism, some Russian films, etc.
Posted 09 April 2006 - 10:21 PM
But although he was born and brought up in Perth WA, his first film work was in France: and as far as I know, he never worked professionally in Australia.
But perhaps that's proof that there is something in the light, or the water, that does it for Australians, not just the experience of working on short deadlines with minimal budget and unlimited imaginations.