Jump to content


Photo

ISOTAC may my first theatrical release!


  • Please log in to reply
No replies to this topic

#1 Michael Collier

Michael Collier
  • Basic Members
  • PipPipPipPip
  • 1262 posts
  • Gaffer
  • Los Angeles, CA

Posted 05 July 2006 - 10:26 PM

So I have taken the leap into producing. I think some of you saw my post a while ago on 'ISOTAC' that was supposed to be a 30K super 16 mm feature. Well some new prospects came up and there is a possability of finding more funds, up to 1 million to produce it. Originally I was going to Direct and DoP, with a solid first AC to help take some of the DoP workload off of me.

Now with 1million dollars availible I don't want to DoP. If i were to screw up a single shot it could mean the success of the project (and the temperment of the investors) so with no 35mm experience I need to find someone in the mid-level of their career (prefereably with feature credit, but a solid commercial DP with asperations to shoot a feature) And I was wondering how much they would want for such a project. I need a 6week shoot, and 2 for prep. I was thinking 20K would be a reasonable offer, but I just don't know if that is fair. The shoot will be in Alaska, and obviously housing, transportation and per diem will be paid. I doubt I will have the funds to pay for a union DP, but just to check is there a place I can find the low budget contracts? I found the SAG contracts and can afford SAG actors, but couldnt find the DP contracts. I was thinking on this for a while and the dream would be to hire Mullen for his work on norfolk (the wide landscape shots shows you have skill in the kind of work I am looking for, along with some of your other work) but I don't think I could afford your kind of talent on a 1 Mil movie, and every other DP I respect from their work, I doubt I could afford. Also if I hire a DP that is union, does their crew need to be union?

also what is typcial level of input a DP would desire. I have a very specific look in mind for the feature, given that I have been developing it to DP myself, but I dont want a disgrunttled partner. What is the common line? (of course we will hammer out a collective look in preproduction, but I would be very hesitant to change very much in principle)

Also does anyone have any producer friends? I have an agreement with an active partner to develop the project, so I can pay for a professional to step in and help find investors, and a lawyer to set up the LLC. I don't know much about producing, just enough to find the resources to hire the propper people to get things started. (you can PM me with their names or I can give you my number for you to give to them.)
  • 0


CineLab

Abel Cine

CineTape

Metropolis Post

The Slider

Media Blackout - Custom Cables and AKS

rebotnix Technologies

Aerial Filmworks

Wooden Camera

Visual Products

Ritter Battery

Willys Widgets

Technodolly

Rig Wheels Passport

Glidecam

FJS International, LLC

New Pro Video - New and Used Equipment

Broadcast Solutions Inc

Tai Audio

Paralinx LLC

Gamma Ray Digital Inc

FJS International, LLC

rebotnix Technologies

Media Blackout - Custom Cables and AKS

The Slider

Visual Products

Tai Audio

New Pro Video - New and Used Equipment

Broadcast Solutions Inc

CineTape

Abel Cine

Glidecam

Metropolis Post

Aerial Filmworks

Gamma Ray Digital Inc

Rig Wheels Passport

Technodolly

CineLab

Willys Widgets

Wooden Camera

Paralinx LLC

Ritter Battery