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Lighting in the Cut


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#1 Paul Sifakis

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Posted 30 July 2006 - 09:09 AM

I've just watched Campion's "In the Cut", photographed by Dion Beebe and I was wondering
how you can achieve this look ( you know, dark, saturated, vibrant reds, greens and yellows).
Is something you can achieve with lighting, or something you can make in the post production. or maybe a combination of these two?
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#2 Chris Keth

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Posted 30 July 2006 - 10:28 AM

I've just watched Campion's "In the Cut", photographed by Dion Beebe and I was wondering
how you can achieve this look ( you know, dark, saturated, vibrant reds, greens and yellows).
Is something you can achieve with lighting, or something you can make in the post production. or maybe a combination of these two?



It's probably a combination of the lighting, art direction, an already saturated filmstock, and measured overexposure to give a nice thick negative.
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Gamma Ray Digital Inc

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Rig Wheels Passport

Wooden Camera

The Slider

rebotnix Technologies

Metropolis Post

Ritter Battery

Paralinx LLC

Aerial Filmworks

Visual Products

CineLab