Jump to content


Photo

dedolight 150 what do you think


  • Please log in to reply
8 replies to this topic

#1 DaNiElE BeLArDo

DaNiElE BeLArDo
  • Basic Members
  • PipPip
  • 59 posts
  • Cinematographer

Posted 03 August 2006 - 08:43 AM

what do you think abut dedo 150 ?? for shot at 100 asa film in a room is a bit low?? ....i m searching a very spotted light with clean beam.....but 150 for me is very low...do you ever tried ?

thanks
  • 0

#2 Stephen Williams

Stephen Williams
  • Sustaining Members
  • 4708 posts
  • Cinematographer
  • Europe

Posted 03 August 2006 - 10:06 AM

what do you think abut dedo 150 ?? for shot at 100 asa film in a room is a bit low?? ....i m searching a very spotted light with clean beam.....but 150 for me is very low...do you ever tried ?

thanks


Hi,

Spotted its very bright, the latest aspheric version brighter still ! How big an area do you need to light? Many times brighter than a normal 150.

Stephen
  • 0

#3 DaNiElE BeLArDo

DaNiElE BeLArDo
  • Basic Members
  • PipPip
  • 59 posts
  • Cinematographer

Posted 03 August 2006 - 12:11 PM

Hi,

Spotted its very bright, the latest aspheric version brighter still ! How big an area do you need to light? Many times brighter than a normal 150.

Stephen



human face... filled
  • 0

#4 Stephen Williams

Stephen Williams
  • Sustaining Members
  • 4708 posts
  • Cinematographer
  • Europe

Posted 03 August 2006 - 03:47 PM

human face... filled


Hi,

Its bright enough, but remember its a very hard light.

Stephen
  • 0

#5 Adam Frisch FSF

Adam Frisch FSF
  • Sustaining Members
  • 2027 posts
  • Cinematographer
  • Los Angeles, USA

Posted 03 August 2006 - 07:55 PM

Try to get a Source 4 spot instead. The beam is focusable and cuttable and has an iris internally - much better for defined spot work (which, incidentally - as I found out recently - is very hard to get right).
  • 0

#6 Chris Pritzlaff

Chris Pritzlaff
  • Basic Members
  • PipPipPip
  • 187 posts
  • Gaffer
  • Los Angeles

Posted 03 August 2006 - 09:28 PM

Try to get a Source 4 spot instead. The beam is focusable and cuttable and has an iris internally - much better for defined spot work (which, incidentally - as I found out recently - is very hard to get right).


the source 4s are great for that - they are also 575wats usually so they pack more of a punch. If you want to actually see the beam of light, try to get a hazer so that there are enough particles in the air to catch the light.
  • 0

#7 DaNiElE BeLArDo

DaNiElE BeLArDo
  • Basic Members
  • PipPip
  • 59 posts
  • Cinematographer

Posted 04 August 2006 - 02:01 AM

do you ever tried par 64???
  • 0

#8 Chris Pritzlaff

Chris Pritzlaff
  • Basic Members
  • PipPipPip
  • 187 posts
  • Gaffer
  • Los Angeles

Posted 06 August 2006 - 04:09 AM

do you ever tried par 64???


might work with a spot globe, but it is harder to control than a source four
  • 0

#9 Mark Sasahara

Mark Sasahara
  • Sustaining Members
  • 121 posts
  • Cinematographer
  • New York

Posted 07 August 2006 - 05:21 PM

The Dedo 150 (DLH4) is great, but you may want to go with the Dedo 650, or the 400 HMI. I haven't tried the two bigger lights and I just recently bought a Dedo kit and I really love it. The beam is very clean and focused, but yes, it is a hard light. You would likely have to put it very near the talent. There is the Dedo Cool, which is designed to be used when shooting microscopic images or other things where the light is very close to the subject. Heat shield is also handy.

Check out Dedolight's website for photometrics, etc. Download the catalog PDF
  • 0


Ritter Battery

CineLab

rebotnix Technologies

Willys Widgets

Abel Cine

Tai Audio

Glidecam

CineTape

Gamma Ray Digital Inc

Visual Products

Wooden Camera

FJS International, LLC

Metropolis Post

Paralinx LLC

The Slider

Rig Wheels Passport

Broadcast Solutions Inc

Aerial Filmworks

New Pro Video - New and Used Equipment

Media Blackout - Custom Cables and AKS

Technodolly

Abel Cine

Paralinx LLC

Willys Widgets

FJS International, LLC

Wooden Camera

Media Blackout - Custom Cables and AKS

Technodolly

Tai Audio

New Pro Video - New and Used Equipment

Metropolis Post

Ritter Battery

The Slider

CineLab

Aerial Filmworks

Glidecam

Broadcast Solutions Inc

Gamma Ray Digital Inc

CineTape

rebotnix Technologies

Rig Wheels Passport

Visual Products