Jump to content


Photo

Reel


  • Please log in to reply
3 replies to this topic

#1 Jon Rosenbloom

Jon Rosenbloom
  • Basic Members
  • PipPipPipPip
  • 713 posts
  • Cinematographer

Posted 24 January 2007 - 06:21 PM

Managed to post this on youtube: a highly compressed version of my reel. What'ya think?


  • 0

#2 Jonathan Bowerbank

Jonathan Bowerbank
  • Basic Members
  • PipPipPipPip
  • 2815 posts
  • 1st Assistant Camera
  • San Francisco, CA

Posted 24 January 2007 - 07:05 PM

Some great stuff in there, others you could probably cut out and some you should show more of.

The shot inside the car with the girl on the cellphone wasn't very special, nor was the dressing room with the Asian rocker girls. Also, I think the shots from the first film can be shorter as it really starts off the reel at an extremely slow pace, although I liked your use of natural sources within some of those takes.

One shot I was wanting to see more of was the one of the girl at the bow of the ferry as her cloak whipped around in the wind, it looked good but I only saw it for a couple seconds. I liked the rooftop stuff, reminded me of the likes of "Open Your Eyes" or "The Departed". The lowkey shot with the businessman in front of the whiteboard you could probably do without.

With all that constructive criticism out of the way, I think it's a good collection of work for showing around. I'm curious to see if you've done more b&w work.

:)
  • 0

#3 Jon Rosenbloom

Jon Rosenbloom
  • Basic Members
  • PipPipPipPip
  • 713 posts
  • Cinematographer

Posted 24 January 2007 - 07:52 PM

"The shot inside the car with the girl on the cellphone..."

Yeah, that's in there only to show I've done something in a car.

"The lowkey shot with the businessman in front of the whiteboard..."

Yup, I've felt tied to that shot because it gets me to the reverse of Clea Lewis enterring. I've always wondered how much attention I should pay to "spatial logic" (coverage) in a reel, or should I just put all the "hottest shots" in a blender and let 'er rip???

B&W?? What you saw, plus one sequence from my last project shot in Oct. '06.

Thanks for looking. :)
  • 0

#4 Jonathan Bowerbank

Jonathan Bowerbank
  • Basic Members
  • PipPipPipPip
  • 2815 posts
  • 1st Assistant Camera
  • San Francisco, CA

Posted 25 January 2007 - 01:53 AM

I've always wondered how much attention I should pay to "spatial logic" (coverage) in a reel, or should I just put all the "hottest shots" in a blender and let 'er rip???


I think it needs a good balance of both. We need a quick sense of the stories you're telling with each shot in the reel, but not so much that each segment of the reel comprises a short film in itself. I think it's mostly just those first few shots that need to be cut down a bit...and I'd really like to see more of that boat shot! ha ha

:)

cheers
  • 0


The Slider

Media Blackout - Custom Cables and AKS

New Pro Video - New and Used Equipment

CineTape

Glidecam

Rig Wheels Passport

Aerial Filmworks

Gamma Ray Digital Inc

Technodolly

Tai Audio

Metropolis Post

Visual Products

rebotnix Technologies

FJS International, LLC

Ritter Battery

Broadcast Solutions Inc

Willys Widgets

Wooden Camera

Abel Cine

Paralinx LLC

CineLab

Paralinx LLC

Wooden Camera

Gamma Ray Digital Inc

CineTape

Technodolly

CineLab

FJS International, LLC

Broadcast Solutions Inc

Metropolis Post

rebotnix Technologies

New Pro Video - New and Used Equipment

Visual Products

Ritter Battery

Aerial Filmworks

Glidecam

Willys Widgets

Tai Audio

The Slider

Abel Cine

Rig Wheels Passport

Media Blackout - Custom Cables and AKS