mistakes you learned the most from
Posted 14 April 2007 - 12:19 AM
My question is for everyone out there from the pro to the mo.
What mistake was the one you remember the most.
Or the one that changed your style, or way of doing things.
I know learning from my own mistakes is part of the process, but would appreciate a "heads up"
about errors I have yet to make.
Posted 14 April 2007 - 01:03 AM
Posted 14 April 2007 - 03:12 AM
Second to that, the day mother brought home that dang Super 8 camera. If she had not done that I could of been a doctor or lawyer.
Posted 14 April 2007 - 03:23 AM
Posted 14 April 2007 - 03:46 AM
Posted 14 April 2007 - 07:49 AM
scene with 5 different angles.
Another mistake I did was not creating a shooting schedual (I shot on weekends)
causing the whole crew and the actors to lose motivation. I never did finish
that short film.
Posted 14 April 2007 - 08:07 AM
Posted 14 April 2007 - 04:11 PM
You've just reminded me of my worst mistake thus far... I was using magnets and hall-effect sensors for one of my odd camera creations on a music video - I was also loader among other things that day...
Once, I didn't check the loop after loading. Well, I guess the perf wasn't engaged so it kicked out the pressure plate, and the entire roll (which was our entire project) came up with just a blurred stripe down the middle.
I put the camera door down to load up another daylight reel, but was still in a pretty dark area - did all my fancy pants double checks (I was still pretty green with that camera at the time) then put the door back on - it was a little tight, but still went on ok and the camera was running fine ...
Near the end of the roll (100ft) the operator told me it was making funny sounds and could I please open it and check it whilst he shot on another stand-by camera - poof! near on the whole load popped out on the floor...
One of my magnets had attached itself to the film door and had made its way inside the empty spool.
so I told him - and the whole crew re-shot about 1/2 an hours work... It was ok as the stuff we were doing at that time was pretty experimental and free-flowing - still it took an extra 1/2 hour out of a looong day...
So I learned two things - don't put magnets in your cameras and if you stuff up tell someone right away, I mean it was going to be pretty obvious in my case if I didn't say anything but I guess the reaction wasn't one of "oh, you bloody idiot" ... It was more along the line of "ah, poop" "ah well, poop happens" "lets get this show on the road again!" - good people = good crew in this case
I was loading for the same guy about 2 months ago and boy did I take my time checking everything again. He noticed the delay, so I just decided to forget the whole magnet incident and load like I do for myself... No mistakes this time!
Posted 15 April 2007 - 10:04 PM
About eight minutes into the roll I get this agonising cramp in my neck due to a not so smart shooting stance. I have to take my eye away from the reflex viewfinder and I am a bit slow in covering the 'finder with my other hand.
As I'm way back from the rest of production on a long lens and we're shooting sound, it is difficult to let anyone know of the situation. At the end of the long take, I explain the problem to the director who takes it all very calmly...after all he is a senior practitioner of this meditation organisation.
The next day we are watching the synchronised rushes (dailies) and sure enough this blinding orange flare
flashes across the screen at the place where I removed my eye from the viewfinder.
I sink very low into the screening room chair. I am then slapped heartily on the back by the director
because by a coincidence my error happened at the exact moment when the meditation 'master' mentions the name of some significant deity and the screening room group think this is a very 'cosmic' sign.
Posted 15 April 2007 - 11:18 PM
Setup the big sticks and big head. Attached the base plate, rods. Slid the camera onto the base plate, released the tilt lock, and WHAM. The fluid head's tilt friction was on zero so the front-heavy beast dropped forward fast and bent the steel rods. The camera was fine but my ego and any confidence the rental house had in me was shot.
I gave up AC'ing soon after and bought a 16mm package.
Posted 16 April 2007 - 02:46 AM
Posted 16 April 2007 - 03:37 AM
i couldn't sleep intil the lab report 2 days after.
fortunatly th mag was still in the changing tent and it took me a fraction of a second to understand it wasn't normal to see the take up with film inside!!!!
the dop was verry concerned about this roll as i understood later he revoved his eye during a take.
nothin happened finnaly
Posted 17 April 2007 - 04:06 PM
Posted 17 April 2007 - 08:48 PM