Jump to content


Photo

Unions


  • Please log in to reply
1 reply to this topic

#1 Chris Walters

Chris Walters
  • Basic Members
  • PipPip
  • 82 posts
  • Cinematographer
  • Los Angeles

Posted 30 May 2007 - 06:31 PM

I eventually want to be a professional cinematographer, but I'm trying to come up with the best way of getting to that point. I've done many gigs as a electrician and best boy, but don't know if it would be the best route to join local 728 and then move up the ranks to gaffer and eventually DP in Local 600. Or should I work on smaller projects as a DP and build a base to sell my self around. I have already DP'd several projects for film school and outside of CSUN, but feel I could sustain myself if I joined 728 as opposed to finding jobs as a DP. I don't want to be stuck pulling cable all my life either. Any one have any advice or personal stories to share that will help me make this decision.


Chris Walters
Student Cinematographer
LA
  • 0

#2 Brad Grimmett

Brad Grimmett
  • Sustaining Members
  • 2660 posts
  • Steadicam Operator
  • Los Angeles

Posted 31 May 2007 - 01:19 PM

The truth is, this is a decision you have to make yourself. If it's one or the other for you then you should probably go the route that you think you'll enjoy the most and learn the most doing.
Another option would be to do both. Work as an electrician when the calls come and shoot things when jobs are offered. If in the process you HAVE to join 728, then go for it, but I wouldn't rush to join a union you don't ultimately want to be a member of if you don't have to. Also, don't rush to join 600. You'll know when the time is right. In the meantime there are plenty of projects out there that aren't union jobs.
  • 0


Ritter Battery

Willys Widgets

Broadcast Solutions Inc

FJS International, LLC

Tai Audio

Gamma Ray Digital Inc

Wooden Camera

Technodolly

Rig Wheels Passport

rebotnix Technologies

CineLab

Glidecam

Visual Products

New Pro Video - New and Used Equipment

CineTape

Metropolis Post

Abel Cine

Media Blackout - Custom Cables and AKS

Paralinx LLC

Aerial Filmworks

The Slider

FJS International, LLC

rebotnix Technologies

Abel Cine

Broadcast Solutions Inc

Wooden Camera

Tai Audio

Visual Products

Technodolly

Ritter Battery

Metropolis Post

Paralinx LLC

Glidecam

Rig Wheels Passport

CineTape

The Slider

Media Blackout - Custom Cables and AKS

CineLab

Aerial Filmworks

Willys Widgets

Gamma Ray Digital Inc

New Pro Video - New and Used Equipment