Jump to content


Photo

annie hall look with modern film stock.


  • Please log in to reply
4 replies to this topic

#1 Oron Cohen

Oron Cohen
  • Basic Members
  • PipPipPip
  • 215 posts
  • Cinematographer
  • Tel-Aviv/London

Posted 18 July 2007 - 07:03 PM

Hi,

I want to know your opinions about which film stock should I use (with combination of filters maybe) to get a similar look to "annie hall", most of the film is in day time, half exteriors and half interiors.
we are shooting on super16 and intend to do a blow-up to 35mm(probably a direct blow-up).


regards,

Oron.

P.s- I tried to post this in an old "annie hall" thread, but only know I noticed the Michael Nash post: http://www.cinematog...showtopic=24374 .

So sorry about that...


Oron.
  • 0

#2 Chris Keth

Chris Keth
  • Sustaining Members
  • 4427 posts
  • 1st Assistant Camera
  • Los Angeles

Posted 18 July 2007 - 07:22 PM

Hi,

I want to know your opinions about which film stock should I use (with combination of filters maybe) to get a similar look to "annie hall", most of the film is in day time, half exteriors and half interiors.
we are shooting on super16 and intend to do a blow-up to 35mm(probably a direct blow-up).


regards,

Oron.

P.s- I tried to post this in an old "annie hall" thread, but only know I noticed the Michael Nash post: http://www.cinematog...showtopic=24374 .

So sorry about that...


Oron.


Lit right, 7229 could do it pretty well. You're going to want a lower contrast stock with fairly muted colors.
  • 0

#3 Oron Cohen

Oron Cohen
  • Basic Members
  • PipPipPip
  • 215 posts
  • Cinematographer
  • Tel-Aviv/London

Posted 19 July 2007 - 12:18 PM

Thanks for the reply, totally agree with you about the lighting.
For the film stock I think the 29' is too grainy for me, so I was thinking of using Fuji stock, maybe the 64D for exteriors and the 250T etrena for interiors.
will be happy to hear more views,

thanks,

Oron.
  • 0

#4 Leo Anthony Vale

Leo Anthony Vale
  • Basic Members
  • PipPipPipPip
  • 2010 posts
  • Other
  • Pittsburgh PA

Posted 19 July 2007 - 02:28 PM

Lit right, 7229 could do it pretty well. You're going to want a lower contrast stock with fairly muted colors.


it's been a long time since I last saw 'Annie Hall', but I disagree on the muted colors. It had a rather normal color saturation.
  • 0

#5 Chris Keth

Chris Keth
  • Sustaining Members
  • 4427 posts
  • 1st Assistant Camera
  • Los Angeles

Posted 19 July 2007 - 10:19 PM

it's been a long time since I last saw 'Annie Hall', but I disagree on the muted colors. It had a rather normal color saturation.


I thought I remembered it being a bit faded-looking.
  • 0


New Pro Video - New and Used Equipment

Technodolly

CineTape

Metropolis Post

Abel Cine

Rig Wheels Passport

The Slider

Media Blackout - Custom Cables and AKS

Aerial Filmworks

CineLab

Glidecam

Willys Widgets

Ritter Battery

Visual Products

Paralinx LLC

FJS International, LLC

Wooden Camera

Tai Audio

rebotnix Technologies

Broadcast Solutions Inc

Gamma Ray Digital Inc

Glidecam

Aerial Filmworks

New Pro Video - New and Used Equipment

Wooden Camera

Willys Widgets

Rig Wheels Passport

rebotnix Technologies

Metropolis Post

Technodolly

The Slider

CineLab

Broadcast Solutions Inc

Abel Cine

FJS International, LLC

Media Blackout - Custom Cables and AKS

Ritter Battery

Paralinx LLC

CineTape

Visual Products

Tai Audio

Gamma Ray Digital Inc