I'm in Pre-prod for a short B&W S16 film and my DP and I are choosing our stock.
We're shooting in a big church and budget doesn't allow for anything more than 2k HMI's.
So though I'd like to shoot with 7231 we need more speed. I really want good contrast without too too much grain (not sure that we can get what I want out of the 7222). I also love a slightly silvery look (Robby Muller's work on Kings of the Road is the ideal - anyone know what stock they used?)
We've kicked around the idea of using 7266. I've heard that processing it as a negative will a) give me a bit of that silvery look and B) be slightly more forgiving than the reversal normally is. Has anyone used this process?
Any advice/insight would be much appreciated.
Edited by Mendritzki Andreas, 11 January 2008 - 11:45 AM.