i'm looking at using at a machine vision type of camera sytem and would like some comments.
goal a full 2k pipeline
Nikon F-mount or
lower cost traditional 35mm lenses
super wide angle lenses wo fisheye may not easy obtain
Mono 16 (dcam mono 16) or color 10-bit
quote on the way
durable, known mfg
hooking into Premiere, AE may not be easy, but am Labview guru
Mono vs color
mono is full 16-bit, effective 12-bit, you get the full bang of all of the pixels without deBayering or demosacing.
i'm quite ok with film noir look.
please post comments.
Edited by Glen Alexander, 15 January 2008 - 01:03 PM.