Jump to content


Photo

Maxibrutes


  • Please log in to reply
6 replies to this topic

#1 Christian Janss

Christian Janss
  • Basic Members
  • PipPip
  • 36 posts
  • Cinematographer
  • Philadelphia

Posted 25 April 2008 - 11:48 PM

I've got a night exterior in the forrest with super 16 500T. Of course, the bulk of the action takes place under medium tree cover. But there is a place slightly up hill, and maybe 60 feet away, that is clear enough for a 9-light Maxibrute and a diffusion frame or bounce.

I've read up on the maxibrute postings and the night exterior postings, but what I'm wondering is how much does either bouncing or shining thru grid cloth cut down on the exposure level of the maxibrute?

Or should I scrap the maxi because of the trees and just use 5ks and 2ks as like rays of moonlight hidden in and behind trees?

Sorry if this question is too broad, I guess I just have to make the call.

thx
  • 0

#2 Mike Williamson

Mike Williamson
  • Basic Members
  • PipPipPipPip
  • 534 posts
  • Cinematographer
  • Los Angeles

Posted 26 April 2008 - 01:47 AM

You can find the photometrics for a 9 Light Maxi on the Mole-Richardson website.
http://extranet.mole...page/5771-L.gif

It's not too tough to have a couple diffusion frames standing by the light and just use trial and error to see what's workable. And if you lose too much stop to the lightest diffusion, pull the frame and go hard.

I think in situation where you have a lot of objects between you and the light (trees in this case), using a multi-globe unit like a Maxi will be better than using a large unit with a single globe like a 10K. The light will penetrate deeper into the forest because it's coming from a number of lamps in slightly different positions. The downside would be the slightly weird shadow pattern, but that's not as much of an issue if you're using it as a backlight.

It's probably a good idea to have more units handy, as it's likely that you'll need something besides the Maxi at some point during the evening.
  • 0

#3 timHealy

timHealy
  • Basic Members
  • PipPipPipPip
  • 1252 posts
  • Other
  • New York

Posted 26 April 2008 - 04:59 PM

Maxibrutes and their cousins (12 light maxis, dinos, super dinos, ruby7's) are all great lights for night exteriors and are used all the time. They are quite variable with all the different bulb types you can put in them including 1200 watt firestarters which are not on the link Mike provided. Stick with the maxi instead of 2k's and 5k's with a mix of medium and spot globes and you should be OK. If in doubt get all narrow par globes and you should have plenty of light where you need it. Actually shooting it threw some trees will add some natural breakup to it.

Best

Tim
  • 0

#4 Andrew Koch

Andrew Koch
  • Sustaining Members
  • 243 posts
  • Cinematographer
  • Burbank, California

Posted 27 April 2008 - 03:52 AM

If you do use the 1200W firestarters and are lighting through the trees, make sure you have enough distance from the leaves or anything else because you will burn them and possibly cause a fire, hence the name. If you already know this than you'll know what to do.
  • 0

#5 Christian Janss

Christian Janss
  • Basic Members
  • PipPip
  • 36 posts
  • Cinematographer
  • Philadelphia

Posted 06 May 2008 - 12:45 AM

Thanks for the info. Much appreciated. The shoot was harrowing but ultimately successful. Now that I've seen what those things can do with my own eyes, I'm in love with Maxibrutes.
  • 0

#6 Mike Williamson

Mike Williamson
  • Basic Members
  • PipPipPipPip
  • 534 posts
  • Cinematographer
  • Los Angeles

Posted 06 May 2008 - 02:00 AM

Maxibrutes are easy to love, glad they worked out for you. Do you have any stills from the project?
  • 0

#7 Bill Totolo

Bill Totolo
  • Sustaining Members
  • 698 posts
  • Cinematographer
  • Los Angeles, CA

Posted 07 May 2008 - 03:21 AM

Any opinions on the daylight globes?
  • 0


CineLab

Technodolly

Media Blackout - Custom Cables and AKS

FJS International, LLC

Gamma Ray Digital Inc

Glidecam

Opal

Metropolis Post

CineTape

Paralinx LLC

rebotnix Technologies

Aerial Filmworks

Tai Audio

The Slider

Rig Wheels Passport

Ritter Battery

Wooden Camera

Broadcast Solutions Inc

Willys Widgets

Visual Products

Abel Cine

Rig Wheels Passport

Broadcast Solutions Inc

Ritter Battery

Metropolis Post

Technodolly

Paralinx LLC

CineTape

Abel Cine

CineLab

Opal

Gamma Ray Digital Inc

Visual Products

Willys Widgets

Media Blackout - Custom Cables and AKS

FJS International, LLC

Glidecam

rebotnix Technologies

Wooden Camera

Tai Audio

Aerial Filmworks

The Slider