Jump to content


Photo

Narrative and Previs


  • Please log in to reply
No replies to this topic

#1 Brad Smith

Brad Smith
  • Basic Members
  • PipPip
  • 11 posts
  • Camera Operator
  • Sydney, Australia

Posted 29 May 2008 - 06:44 AM

Hi all,
I'm curious how much directors/DP's use storyboards/previs when shooting Narrative/Commercials. How heavily is it used, relied on? How much is it adhered to on the day, how much gets discovered on the day? What's the norm on an episodic Drama? When does the DP get involved (in previs/storyboarding), how much is is he/she involved/responsible.

I realise this is a broad question. The situation and arrangements must be different for every project depending on the people involved. But as a ENG/EFP guy who doesn't yet, but would like to be working on narrative projects, I'm curious about the creative workflow.

Thanks for your feedback,
Brad.
(Australia)

Edited by Brad Smith, 29 May 2008 - 06:46 AM.

  • 0


Media Blackout - Custom Cables and AKS

Abel Cine

The Slider

Gamma Ray Digital Inc

Rig Wheels Passport

Metropolis Post

CineLab

rebotnix Technologies

Aerial Filmworks

Wooden Camera

Paralinx LLC

Tai Audio

Glidecam

Willys Widgets

Visual Products

New Pro Video - New and Used Equipment

CineTape

FJS International, LLC

Technodolly

Ritter Battery

Broadcast Solutions Inc

Tai Audio

Paralinx LLC

Technodolly

New Pro Video - New and Used Equipment

rebotnix Technologies

Wooden Camera

FJS International, LLC

Visual Products

Gamma Ray Digital Inc

Ritter Battery

CineLab

Rig Wheels Passport

Willys Widgets

Glidecam

CineTape

Media Blackout - Custom Cables and AKS

Aerial Filmworks

Abel Cine

The Slider

Metropolis Post

Broadcast Solutions Inc