Jump to content


Photo

new 2 perf - 3 perf aaton introduction in Paris


  • Please log in to reply
7 replies to this topic

#1 Delorme Jean-Marie

Delorme Jean-Marie
  • Basic Members
  • PipPipPipPip
  • 513 posts
  • Cinematographer
  • paris, france

Posted 29 September 2008 - 09:36 AM

hi all

i'll attend october 8th a presentation of the new penelop 35mm camera from aaton.

it's conference is organized by the CST (technical superior comition) of the french film industry as well as panavision.
jean pierre beauvialla will be there.
i'll try to report my best to the forum .
if any one of you want to put questions to ask this day let me know

i strongly believe this can be the come back of the 35mm on smaler productions

let me know your questions
  • 0

#2 Paul Bruening

Paul Bruening

    (deceased)

  • Sustaining Members
  • 2858 posts
  • Producer
  • Oxford, Mississippi

Posted 29 September 2008 - 10:47 AM

How much money to buy one?

or...

How much time in prison to get caught stealing one?
  • 0

#3 Serge Teulon

Serge Teulon
  • Basic Members
  • PipPipPipPip
  • 757 posts
  • Cinematographer
  • London UK

Posted 29 September 2008 - 10:54 AM

Be interesting to know the charge by the rental companies...
  • 0

#4 Saul Rodgar

Saul Rodgar
  • Basic Members
  • PipPipPipPip
  • 1682 posts
  • Cinematographer

Posted 29 September 2008 - 11:19 AM

Would love to read more about this camera, please keep us posted! :)
  • 0

#5 Delorme Jean-Marie

Delorme Jean-Marie
  • Basic Members
  • PipPipPipPip
  • 513 posts
  • Cinematographer
  • paris, france

Posted 09 October 2008 - 04:38 AM

well,
verry nice evening yesterday for the presentation of the aaton penelope, this presentation was in the middle of a bigger presentation about the 2 perf in general.

- price wise the penelope will be between the millenium and the aricam ST for rental.

- there is about 20 2perfs camera mouvements nowadays for all europe half in panavision, half in arri.


we could see projected from an SR tape, jpeg 2000, and 35mm material some test ran by panavision and DOP josé Gérel , some verry interesting comparative test between S16, 35 2perf, 35 3 perfs in 1 :78 with the 5217 , 5219 and 5201 another test in 1/85 and a last one in 2/35 with also a comparision with anamorphic 4 perf.

the US production for TV are already verry used to the 3 perf but here in europe we are not at this point.

material was digitalised at 2K and timed on a colorus at eclair laboratory in Paris the point was also to present the worflow.

as a coclusion we could see the improvement of quality jumping from a S16 to a 2perf 1/78 to a 3 perf 178 then from
S16 to a 2 perf 1/85 to a 3 perf 1/85 and from
2perf 2/35 spherical to a 3 perf 2/35 spherical to scope 4 perf anamorphic
and
2 perf 2/35 in digital projection and in release print projection.


hope i was clear enougth
  • 0

#6 Keith Mottram

Keith Mottram
  • Sustaining Members
  • 824 posts
  • Other

Posted 09 October 2008 - 01:34 PM

as a coclusion we could see the improvement of quality jumping from a S16 to a 2perf 1/78 to a 3 perf 178 then from
S16 to a 2 perf 1/85 to a 3 perf 1/85 and from
2perf 2/35 spherical to a 3 perf 2/35 spherical to scope 4 perf anamorphic
and
2 perf 2/35 in digital projection and in release print projection.


hope i was clear enougth



was there any noticable difference between 2 perf 2.35 and 3 perf 2.35?

thanks,

Keith
  • 0

#7 Delorme Jean-Marie

Delorme Jean-Marie
  • Basic Members
  • PipPipPipPip
  • 513 posts
  • Cinematographer
  • paris, france

Posted 09 October 2008 - 01:57 PM

about no diferences that could motivate to film in 3 perfs.
  • 0

#8 Delorme Jean-Marie

Delorme Jean-Marie
  • Basic Members
  • PipPipPipPip
  • 513 posts
  • Cinematographer
  • paris, france

Posted 09 October 2008 - 01:58 PM

but there was a difference in 1:85/1
  • 0


Gamma Ray Digital Inc

Media Blackout - Custom Cables and AKS

Metropolis Post

Abel Cine

Paralinx LLC

Opal

CineLab

Aerial Filmworks

The Slider

Visual Products

Wooden Camera

Broadcast Solutions Inc

Willys Widgets

rebotnix Technologies

Technodolly

Rig Wheels Passport

FJS International, LLC

Ritter Battery

Tai Audio

CineTape

Glidecam

Ritter Battery

Paralinx LLC

Broadcast Solutions Inc

Abel Cine

Willys Widgets

Metropolis Post

Aerial Filmworks

Wooden Camera

FJS International, LLC

Glidecam

Opal

Technodolly

The Slider

Visual Products

Tai Audio

Gamma Ray Digital Inc

rebotnix Technologies

Rig Wheels Passport

CineLab

Media Blackout - Custom Cables and AKS

CineTape