Saw the film last night and was very impresssed by the cinematography.
Interesting without being overly present and very clearly in-sync with the set designer in terms of colour and practicals.
I'd love to know more about the technical side of this film.
1 reply to this topic
Posted 09 December 2008 - 03:03 PM
It's shot on Cooke S4s with Arricams, although I suspect that for some exterior night scenes (like the ones towards the end) they used Masterprimes (the bokeh was different to the rest of the film), because they needed the stop.