Shooting Tungsten in Daylight?
Posted 20 April 2009 - 08:00 PM
They mention the use of HMI lights though and obviously have day exteriors as well, so why would he use Tungsten only? It's also mentioned that no filtration is used at all and that Tom Tykwer wanted to keep the look of the film almost like the dailies, and they didn't do too much in the DI.
Would he just use a set of printer lights which correct the blue tone out or how would one do that? What would be the reason to shoot Tungsten only?
Thanks for any hints, regards Xax
Posted 20 April 2009 - 08:12 PM
what would be the logic behind that?
is tungsten film generally better? consistency in terms of contrast?
'18 would make sense since it becomes a iso 320 speed film then?
'12 would become iso 64, could use 50D as well...
Posted 20 April 2009 - 08:22 PM
Or, also, don't forget how much light you can loose through a pola filter, mine's roughly 2 stops. so pretty soon my 200T becomes effectively a 32!
Posted 20 April 2009 - 08:32 PM
Posted 20 April 2009 - 08:42 PM
I am actually considering shooting some D stock inside w/o correction for that golden look one of these days...
Posted 20 April 2009 - 10:58 PM
Posted 20 April 2009 - 11:28 PM
Something to test for yourself of course.