Night Exterior on 7222
Posted 02 July 2009 - 11:16 PM
I'm shooting a student monster movie on Eastman Double X 7222. One of the scenes in the film takes place on a backwoods road at night. While the closeups I've planned shouldn't be a problem, the wides have presented me with a lot more questions. Basically what I'm trying to achieve for the wides is a soft baselight, enough to bring me up to decent exposure and give enough detail so that the road and subjects don't turn to mud.
As far as power sources go, we have a 6500w and a 4000w generator. I'm considering renting a 4K HMI SoftLight from High Output Boston, but I wanted some feedback first. The main objective is a very wide spread. Also, please bear in mind that this is a student film, so budget for lights and rigging equipment is limited.
Any suggestions will be greatly appreciated. Thank you!
Posted 14 July 2009 - 02:23 PM
which is basically shooting towards the evening where you have sunlight and underexposing
watch some of kurosawa's work
Posted 14 July 2009 - 03:02 PM
and I was amazed at how well the film held up under low light.
I had areas of the frame that where 2 stops under exposed,and it still held detail.
and wasnt muddy
Although Ive only ever used the filmstock on small interior locations.
My biggest light I used was a 650 fresnel,and I was purposely over exposing my edge lights by 5 stops
and I could of gone higher.
one advantage with black and white is you dont really have to worry about color temperature
or in other words you dont have to gel your tungsten lights.
thats what really saved me,and made my life easier.
although that being said bw film is more sensitive to daylight, so if you have HMIs
you should be well off.
And when ever I shoot outside at night I always try to use fog.
it can be hard to control,but its saved me a few times.
Posted 14 July 2009 - 06:53 PM
In response to your suggestion, inder mann, I had considered shooting at twilight, but I don't think we'll have enough time. If we get into a pinch though, I thought about shooting during the day, underexposing, and possibly using a polarizer to bring the sky down. Does that sound like something that would be reasonable to do?