Please Critique my reel- Chapman University Student
Posted 24 July 2009 - 01:05 AM
Posted 25 July 2009 - 09:08 AM
you can see it via link: www.robynbuchanan.net
The shot of the hand and the shots of the Chinese man don't do anything for me....
The shot of the girl in green (or blue...) talking to the guy in the alleyway
also doesn't do anything for me either - she doesn't look very appealing because her
eyes are all sunken in.
You come back to the beach kissing scene too often.
Some of your darker scenes are a bit to 'murky' for me....no contrast.
If I am doing dark lighting I always think it's better to have a highlight somewhere
...even if it's in a really small part of the frame. It helps you eye to see more clearly.
Many really famous DPs always try to have low tone, a midtone and a highlight in every frame...
From 'Film Lighting' by Kris Malkiewicz:
Caleb Deschanel: 'It is a realy psychological thing that happens. One of the things that I did in Being There
is, that in order to create the blacks that I wanted I actually overexposed the film, so the highlights were actually
hotter in order to create the illusion of the blacks being blacker. It is part of the nature of contrast. If you show
absolute black on the screen it is milky. I don't care how good the lab is, there is no such thing as absolute black.
Whereas, if I put a spot of white light in the middle of the black, that black will appear much blacker. Certainly one
of the reasons we used a lot of practical lights in Being There was to create that sense of black.'
Posted 25 July 2009 - 12:57 PM