Jump to content


Photo

RED 1


  • Please log in to reply
3 replies to this topic

#1 kashifurrehman

kashifurrehman

    New

  • Basic Members
  • Pip
  • 2 posts
  • Other
  • UAE

Posted 14 October 2009 - 10:24 AM

Is it better to shoot on red 1, transfer it and edit and than do the coloring.
or what is the rite procedure
  • 0

#2 Chad Stockfleth

Chad Stockfleth
  • Sustaining Members
  • 622 posts
  • Cinematographer
  • Louisville, KY

Posted 14 October 2009 - 12:42 PM

Is it better to shoot on red 1, transfer it and edit and than do the coloring.
or what is the rite procedure


That's a really broad question, I'd recommend starting here: http://www.red.com/cameras/workflow/
  • 0

#3 Mohamed Fawzy

Mohamed Fawzy

    New

  • Basic Members
  • Pip
  • 5 posts
  • Director
  • Cairo, Egypt

Posted 14 October 2009 - 01:23 PM

I've worked at a production house where we've worked with the RED, and we had an Assimilate SCRATCH unit, so basically we shoot RAW, we transfer to the SCRATCH system, use proxies to edit then save as EDLs, take those EDLs and load them into SCRATCH so now you've got your whole scene, you grade it shot by shot then render it out...
  • 0

#4 Nathan Porter

Nathan Porter
  • Basic Members
  • PipPip
  • 16 posts
  • Electrician
  • Wiltshire / London, UK

Posted 14 October 2009 - 03:32 PM

There's a free program called RED Alert! which has been recommended to me as the program to use to do initial colour correction. Then do it more thoroughly in the editing software.
  • 0


rebotnix Technologies

Gamma Ray Digital Inc

Visual Products

Wooden Camera

Media Blackout - Custom Cables and AKS

Technodolly

Metropolis Post

Willys Widgets

Abel Cine

Paralinx LLC

Glidecam

CineTape

Ritter Battery

Aerial Filmworks

CineLab

Tai Audio

The Slider

Rig Wheels Passport

FJS International, LLC

Opal

Broadcast Solutions Inc

Ritter Battery

The Slider

Opal

rebotnix Technologies

FJS International, LLC

Paralinx LLC

Media Blackout - Custom Cables and AKS

CineTape

Tai Audio

Metropolis Post

CineLab

Abel Cine

Visual Products

Technodolly

Broadcast Solutions Inc

Rig Wheels Passport

Wooden Camera

Gamma Ray Digital Inc

Glidecam

Willys Widgets

Aerial Filmworks