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Spicesome! Canadian Doritos Ad - Well shot for a difference ;)


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#1 francois bordez

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Posted 09 March 2010 - 11:51 PM

Hi,

I shot this ad with the 7D. For lighting I used a construction light with dual 500W heads and a 1000W Photoflex softbox.

I was lucky the house and interior decoration looked great and the white bed cover and light walls were great reflectors. I'm quite happy with the result but I'd like to know what you would improve on this.

http://bit.ly/cj3vo5

It's for the Canadian Doritos contest, so if you enjoy it, feel free to forward the link to your friends. :) The contest is not based on video quality but in the more hits the ad gets. So any help in the forwarding department is very appreciated!

I'm waiting for you comments and feedback.

Thanks

-Francois
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#2 Marcus Joseph

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Posted 10 March 2010 - 06:39 AM

Haha, quite well done and unexpected. The only thing I didn't really like was the last shot on the bed, I think the white balance might have been off or just a bit over exposed.

Curious though, what lenses did you shoot with?

Edited by Marcus Joseph, 10 March 2010 - 06:41 AM.

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#3 francois bordez

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Posted 10 March 2010 - 11:23 AM

Haha, quite well done and unexpected. The only thing I didn't really like was the last shot on the bed, I think the white balance might have been off or just a bit over exposed.

Curious though, what lenses did you shoot with?

You're right, my white balance was off for the shots on the bed. And since I'm shooting 4:2:0 with the 7D I couldn't fix it in CC. I'm hoping Canon will release a video Camera with big CMOS, XLR and 4:2:2 recording soon!!

I used the Canon 50 1.4, 28 1.8, 70-200 2.8 IS and the 10-22 for the car shots.

Thanks for your feedback!

-F
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#4 Marcus Joseph

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Posted 12 March 2010 - 04:30 AM

You're right, my white balance was off for the shots on the bed. And since I'm shooting 4:2:0 with the 7D I couldn't fix it in CC. I'm hoping Canon will release a video Camera with big CMOS, XLR and 4:2:2 recording soon!!

I used the Canon 50 1.4, , 70-200 2.8 IS and the 10-22 for the car shots.

Thanks for your feedback!

-F

Ah yeah, I think that might be reason enough to use Cineform Neoscene for the 4:2:2 conversion, but hopefully a lot more features that will be useful in whatever the next 5D model is.

I'm thinking of getting the 10-22 used for a good price, but there's other lenses I'd rather get instead.

No worries on the feedback.
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Wooden Camera

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