Posted 29 March 2010 - 12:24 PM
Shot on a RED One, with Cooke S4s
Posted 29 March 2010 - 01:24 PM
I remember we viewed most of the time in REC709 and you basically lit to that, with the occasional look at the raw image. Now that you're seeing finished images, do you feel that was the best approach?
Posted 29 March 2010 - 02:21 PM
We're in the grading process right now, and it's still a big learning curve. All of the RAW files viewed through Color look 1/2 to 1 stop darker than they do through RedRushes. It's not a huge problem for the grade, but it does make me wonder what the true speed of the camera was, as RedRushes would suggest 250-320asa, and Color is more like 160- 200asa. Still, on the whole, it was a positive experience, and I'm looking forward to shooting with the new RED sensors/cameras.
Posted 30 March 2010 - 01:13 AM
Love all the texture you were able to get into the frames, great teamwork with the production designer. Let us know when the film gets released, I'd like to see it.
Posted 31 March 2010 - 11:16 PM
Got a quick question about the cyan color temperature in a couple of the frames, just wondering what your light set up/gels were to create this effect or maybe you did it in the grade? I know of using certain gels with tungsten sources like the Cyan 60 or Cosmetic aqua blue, but it'd be good to hear how you achieved it, as from what I can see it plays a big role in a few of these shots.
Really like it!
Posted 01 April 2010 - 02:08 PM
Posted 16 April 2013 - 06:18 PM
Bit of a blast from the past, but this movie, LUSTER, just got a release in the US (and the rest of the world, I think). I wasn't present at the final color timing, and there are some things that I'm not 100% happy with. Hopefully it will enjoy a little success on the DVD market.