Jump to content


Photo

Great Tests of Fujifilm's new Eterna Vivid 160 and 500


  • Please log in to reply
4 replies to this topic

#1 Frank Glencairn

Frank Glencairn
  • Basic Members
  • PipPipPip
  • 138 posts
  • Cinematographer
  • Germany

Posted 21 September 2010 - 07:42 AM

Tests of Fujifilm's new Eterna Vivid 160 and 500



I love especially the blacks. What do you think?

Frank
  • 0

#2 Alain Lumina

Alain Lumina
  • Basic Members
  • PipPipPip
  • 115 posts
  • Director

Posted 21 September 2010 - 11:53 AM

Tests of Fujifilm's new Eterna Vivid 160 and 500



I love especially the blacks. What do you think?

Frank


Blacks look great to me too, wonder what kind of telecine they did, I see hardly any creepy-crawly noise.
The 500 using just the fire's light looked great too.

Only wish they'd labelled the 16mm sections.
  • 0

#3 Menad Kesraoui

Menad Kesraoui

    New

  • Basic Members
  • Pip
  • 8 posts
  • Cinematographer
  • Montreal

Posted 22 September 2010 - 05:27 PM

I saw the 35mm reel projected at Technicolor Montreal, great stock. The rep assured me this was straight out of the camera, no Telecine or DI whatsoever. I dit a short movie using exclusively 35mm eterna500 vivid, and I can assure you there's no lies in this reel, the black are deep and noiseless. A very nice stock. Here's the teaser of my short feature using the stock:
  • 0

#4 Frank Glencairn

Frank Glencairn
  • Basic Members
  • PipPipPip
  • 138 posts
  • Cinematographer
  • Germany

Posted 23 September 2010 - 01:34 AM

Here's the teaser of my short feature using the stock:


Suueeeet!

Frank
  • 0

#5 Ian Cooper

Ian Cooper
  • Basic Members
  • PipPipPipPip
  • 469 posts
  • Other
  • England

Posted 23 September 2010 - 02:22 AM

Blacks look great to me too, wonder what kind of telecine they did, I see hardly any creepy-crawly noise.
The 500 using just the fire's light looked great too.

Only wish they'd labelled the 16mm sections.


If you have a look on the original Fuji website then you'll find further information on each of the scenes (including which were S16), together with a PDF explanation document version of the details as well.
  • 0


Metropolis Post

The Slider

Broadcast Solutions Inc

rebotnix Technologies

Willys Widgets

Opal

FJS International, LLC

Abel Cine

Wooden Camera

Tai Audio

Aerial Filmworks

Paralinx LLC

Gamma Ray Digital Inc

Glidecam

Technodolly

CineTape

Ritter Battery

Visual Products

CineLab

Rig Wheels Passport

Media Blackout - Custom Cables and AKS

Willys Widgets

Wooden Camera

Glidecam

CineTape

Technodolly

FJS International, LLC

The Slider

Visual Products

Aerial Filmworks

CineLab

Ritter Battery

Media Blackout - Custom Cables and AKS

Metropolis Post

Gamma Ray Digital Inc

Broadcast Solutions Inc

Abel Cine

rebotnix Technologies

Opal

Tai Audio

Paralinx LLC

Rig Wheels Passport