Best Lens and film stock for shooting snow covered mountain
Posted 16 October 2010 - 12:05 PM
I am going to shoot a commercial in Himalaya Mountains from November 8th to 12th. So basically I am shooting people climbing the mountain which is covered with white snow. This is the first time I am going to shoot snow.
For lenses I have to choose either Zeiss Master Primes or Cokke S4.
I am going to use ARRI 235 and Kodak negative.
I really want to capture beautiful white and blue sky.
Which film stock and lens would be the best for me?
Please let me know your suggestions.
Read more: http://www.cinematog...3#ixzz12XgI2Pun
Posted 16 October 2010 - 08:57 PM
Posted 17 October 2010 - 11:09 AM
Posted 17 October 2010 - 11:12 AM
6x6 ND soft-edged grads and attentuators can be helpful in some locked-off shots when only one side of the frame needs to be brought down.
Posted 18 October 2010 - 09:00 PM
I'm not sure pulling is necessary unless you are shooting in hard sunlight with the subject in deep shade, and a white mountain is in the background.
I'm not sure it's needed either. I just wanted to present it as an option if the contrast he's presented with becomes too great. I know from shooting in Utah in the winter that at elevation in full sun the contrast can get pretty brutal.
Posted 19 October 2010 - 02:39 PM
Posted 19 October 2010 - 08:29 PM
i would take a fuji 160 T and altra pol with me and one magazine will be one stop push and other will be one stop pull and an altra pl on it with out the covertion 85 filter . main thing is the focus and depth of field is amazing because i tried it for a film i didnt miss the colour and sharpness. If you want a normal tone we can adjust on analyzer warm or blue according to the mood .
You apparently missed the part where he specified kodak negative. Why would you ever push film in a high-contrast, very bright situation? There's just no need for it.
Posted 19 October 2010 - 10:23 PM
If you are filming on snow, make sure to measure the sunlight reflected from the snow as well as that is coming directly from the sun. If you are filming with lots of contrast in the picture and your (spot) light meter has multi-zone metering or average exposure mode, or even reflective exposure mode on an incident light meter (and you know how to use it) then do that, it can't hurt. You want your negative well exposed and with proper density, without crushing blacks or blowing highlights. Filming outdoors with so many levels of gray can be tricky, particularly if you are doing camera moves, even simple panning can be tricky sometimes due to exposure changes, back lighting, glares, flares, etc.
Edited by Saul Rodgar, 19 October 2010 - 10:25 PM.