I have a shoot for the Orlando Magic coming up and I want to stick with their color pallette for the most part, which is blue, black and white. I am planning on using mostly HMIs for the subjects' key and would like to accent the scenes with an icy blue color. I was speaking to my Gaffer and he recommended getting tungsten bulbs for blue screen work. I've never used these and am not real sure how they would read on camera, especially against the blacks in the shadows. Anyone have any experience with them? I will be shooting on an HPX500 using a set of super speeds on a pro35 adapter and filtering through a Black promist.
Edited by David Desio, 09 December 2010 - 10:16 AM.