I was wondering why it seems like a lot of cinematographers appear to be walking around and peeking through a bunch of cinema lenses on sets, such as Wally Pfister in this picture:
or Kubrick here (skip to 3:10) :
I'm guessing they have some type of adapter eyepiece for those expensive pieces of glass, but any info on this would be cool. I can't wait till the day that comes when I get enough money to shoot on an Arri 35 IIC (that's my dream 35 camera atm)
Edited by Aaron Freeder, 03 February 2011 - 01:08 AM.