Does anyone know anything about how this INCREDIBLE film/miniseries was shot? IMDB says 2-perf, a combination of Panaflex and Penelope, on a mixture of Kodak stocks. What I'm most interested in, however, is the beautiful, smooth, low-contrast look and the raised black level. Filters? Pull processing? Or is it all in the DI?
Olivier Assayas' CARLOS
2 replies to this topic
Posted 06 March 2011 - 01:38 PM
According to the AC article they used a mix of tiffen soft fx filters and pro mist. the great colours in the middle east sequences are from the new antique suede filter.