Jump to content


Photo

Saint Saviour - 'This Ain't No Hymn'


  • Please log in to reply
No replies to this topic

#1 Nick Eriksson

Nick Eriksson
  • Basic Members
  • PipPip
  • 17 posts
  • Cinematographer
  • Devon, UK / London, UK

Posted 11 March 2011 - 06:49 AM

Hi Everyone,

I am looking for feedback on a recent music promo that I shot on the Canon 7D.

Please take a look at the video here: Saint Saviour - 'This Ain't No Hymn'

I would have loved to have shot this video on Super 16mm, especially Fujifilm's Vivid 160, which has very punchy, vibrant colours and deep blacks. I would be interested to know how it would be possible to achieve a similar look on Super 16mm in terms of light metering.

As film has a much wider latitude than video, I always wonder how much more powerful a backlight would need to be to ensure that it comes out overexposed and doesn't retain too much detail. How about the deep blue / red gels? Is any compensation necessary in terms of exposure?

Thank you very much for your time and input.

Best,

Nick Eriksson

Director of photography
www.nickeriksson.com
  • 0


Rig Wheels Passport

Visual Products

CineLab

Willys Widgets

The Slider

Aerial Filmworks

Metropolis Post

Wooden Camera

Gamma Ray Digital Inc

rebotnix Technologies

Broadcast Solutions Inc

FJS International, LLC

Glidecam

CineTape

Abel Cine

Ritter Battery

Technodolly

Media Blackout - Custom Cables and AKS

Opal

Paralinx LLC

Tai Audio

Metropolis Post

Technodolly

CineTape

Paralinx LLC

Opal

Visual Products

Willys Widgets

rebotnix Technologies

Aerial Filmworks

Tai Audio

The Slider

Media Blackout - Custom Cables and AKS

Broadcast Solutions Inc

Glidecam

CineLab

Rig Wheels Passport

Ritter Battery

Abel Cine

Gamma Ray Digital Inc

Wooden Camera

FJS International, LLC