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Career Path - DP


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#1 Nate J Anderson

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Posted 15 March 2011 - 03:01 PM

In college, I worked as a DP usually swinging as a Gaffer and a variety of other roles (typical of student productions). I have a passion for cinematography, it's the only thing I want to do with my life, blah blah blah (typical young ambitious guy from the mid-west who moved to Los Angeles after college). What I want is practical advice. I've heard that working as a Gaffer is a good road to work as a Cinematographer. I'm also interested in joining Local 600.

My question is: Which would be more beneficial in the career path towards becoming a DP in narrative production, work as a Gaffer or work as an AC (eventually, getting me into the union)?

I've got a couple opportunities to begin work in either path, so any advice would be appreciated.

Thanks,

Nate
www.natejanderson.com
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#2 Mario Contini

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Posted 19 April 2011 - 02:11 AM

take any job you get thrown your way, I've learned to stop being so concerned about my path to becoming a DP and just shoot as much as I can. In the meantime work is work, but I do believe lighting is key.
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#3 Marque DeWinter

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Posted 19 April 2011 - 02:40 AM

Gaffer....

I'm sort of in the same position except I'm already a local 600 AC...working on getting my days for local 52 now as an electric. Plus there is one other big benefit, there are usually more electrics on a job than camera staff. Means more work.

~Marque
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#4 Paul Brenno

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Posted 26 May 2011 - 12:33 PM

hello Nathan....you sound very similar to me when I was in high school....I wanted to pursue being a DP after buying my first American Cinematographer magazine....the path to become a Cinematographer/DP are very different, there is NO one path.

My thoughts are to shoot everything you can get and save everything you shoot, (except for porno's but will leave that up to you)....

From what I've seen, take any job that gets you in the door and where you can prove yourself to be talented and good to work with. I know of no crew job in Hollywood that is fulltime with benefits, like the normal job we all know about. If you can afford freelancing, then do that, but it takes a LONG time to develop relationships for the employees (Producer and other crew) to hire you....Being an AC is a great way to learn the camera, taking care of equipment, loading magazines or digital cards, etc....Being a Grip to Gaffer is also a great way to learn as well, since you get to know the electric side, lamps, which lights to use, etc....Another big help is to find an internship with a crew or DP....some offer pay, some don't, but you'll make connections and get your foot in the door..

I went to film school in Montana, but then worked in creative services/video production and learned how to Write/Produce, DP/Edit....a great way to learn, although you might be doing small car ads to furniture stores, but you get to work....
Video production companies are a great area too, which is where I work. You can get work with digital gear, dolly tracks, steadicams to lighting, shoot commercials to long form productions.....In these areas, you dont' have to worry about being in a union or paying dues, but if you are, make sure you make the right connections to con't to work....
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Tai Audio

Wooden Camera

Technodolly

Willys Widgets

FJS International, LLC

Visual Products

CineTape

Aerial Filmworks

Rig Wheels Passport

CineLab

Broadcast Solutions Inc

Glidecam

Paralinx LLC

Ritter Battery

Opal

The Slider

rebotnix Technologies

Abel Cine