Even without HDRx DR is wide, I expose as I would film, meter set to 800 iso, highlights seem fine, sounds as though the iso was set low either in the camera or in post, as it's raw it does not matter as long as the people handling the footage know what it's all about.
It may be fairly wide but it isn't film or Alexa wide, at all. I want to like this red shit, really, I try to, I just keep having bad luck I guess. Inconsistent, buggy... all has been said before. In some ways larger budget productions benefit the most from having the resources to deal with red. Most indie work seems better off with F3 type cams. I know the last feature I worked on benefited from the simple codec and camera operation.
I was there the day Jim opened up that tent in 2006 and I was really into the whole thing at the time. The new Scarlet announcement/price is even making me consider owning a camera again (someone talk me out of it). I guess I should have asked about my sunglasses in 2006.
Yeah Keith, give the comments a rest. Are you a working DP, AC or director, by the way? What's the drive?
