I've been taught that as a general rule it looks better to light an actor with a key on the other side of the actor (upstage), opposite the camera. Why is this? Also, it's often described as being "closer to" or "farther away from" the camera. Aren't they both equally close to the camera, just on different sides? Or does this only refer to when an actor is being shot other than straight on?
Key light placement in relation to camera placement
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