Jump to content


Photo

Editing mixed formats for Reel in Final Cut


  • Please log in to reply
2 replies to this topic

#1 Andy_Alderslade

Andy_Alderslade
  • Basic Members
  • PipPipPipPip
  • 1049 posts
  • Cinematographer
  • London, UK

Posted 29 December 2011 - 10:10 AM

Hey everybody, I'm trying to edit a montage reel together in Final Cut and I'm a bit unsure what settings I should use.

As 50% of my material is in Standard Definition I think on this reel I'm going to finish to Standard def for internet and DVDs in 16x9. The footage is all 25fps but some is standard def, some HD but also a mixture of 16x9 (anamorphic), 2.35 and a little 4x3.

So here is my concern, when setting up a sequence should I have it at say DV PAL anamorphic or instead work at the higher end like in ProRes before I export down to Standard Def.

Thanks in advance for all your help.

Cheers
Andy
  • 0

#2 Paul Bartok

Paul Bartok
  • Basic Members
  • PipPipPip
  • 223 posts
  • Cinematographer

Posted 29 December 2011 - 10:28 AM

In my opinion work in the highest possible workflow, until you finish try not to lower the image quality in anyway,
Don't limit your footage for any future use, color space has caused a new problem for digital work-flows
Depending on your settings just leave it at 25fps pal or 1080/25 rgb709.
In terms of aspect ratio that's up to you really you will need to judge what looks aesthetically pleasing,
If you can blowup the SD footage to get a 16:9 aspect ration go ahead, people wont notice to much between 16:9 and 2.35
See if any of that helps
  • 0

#3 Andy_Alderslade

Andy_Alderslade
  • Basic Members
  • PipPipPipPip
  • 1049 posts
  • Cinematographer
  • London, UK

Posted 29 December 2011 - 02:54 PM

Thanks Paul, thats how I started it and makes sense. Yea i've done it in 16x9 with bars for the 2.35, may do some side bars for the little bit of 4x3 I've used to preserve the frames.
  • 0


K5600 Lighting

Pro 8mm

rebotnix Technologies

NIBL

System Associates

Robert Starling

Cinelicious

CineTape

Lemo Connectors

Glidecam

Abel Cine

Ritter Battery

Visual Products

Cadrage Directors Viewfinder

CineLab

Zylight

Paralinx LLC

Aerial Filmworks

Rig Wheels Passport

The Slider

System Associates

Cadrage Directors Viewfinder

Robert Starling

Paralinx LLC

NIBL

Visual Products

Ritter Battery

Pro 8mm

Abel Cine

CineTape

Lemo Connectors

CineLab

rebotnix Technologies

K5600 Lighting

Zylight

The Slider

Glidecam

Rig Wheels Passport

Aerial Filmworks

Cinelicious