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Any RED Post Issues that could've been accounted for in Production?


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#1 Regina Ainsworth

Regina Ainsworth

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Posted 30 January 2012 - 07:41 PM

Hi There,

We have a Director and AVID Editor about to start production in three weeks with a DP who owns and frequently operates the RED MX. Neither the Director nor the Editor have worked with the RED before. Is there any advice or pitfalls we should look for that can be corrected in Production that might be a challenge (or near impossible) to correct in Post?

Any common mistakes or issues to be cognizant of while working in Post?

Have read Notes on Using Red Camera dated 6-25-09 - (amongst other research) now am looking for an update or any specifics as it pertains to setting our Editor (and short film) up for success.

Thanks!
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Paralinx LLC

K5600 Lighting

CineTape

Ritter Battery

Media Blackout - Custom Cables and AKS

Cadrage Directors Viewfinder

Zylight

Glidecam

Pro 8mm

The Slider

Aerial Filmworks

Abel Cine

Rig Wheels Passport

Robert Starling

NIBL

CineLab

Visual Products