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Any RED Post Issues that could've been accounted for in Production?


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#1 Regina Ainsworth

Regina Ainsworth

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Posted 30 January 2012 - 07:41 PM

Hi There,

We have a Director and AVID Editor about to start production in three weeks with a DP who owns and frequently operates the RED MX. Neither the Director nor the Editor have worked with the RED before. Is there any advice or pitfalls we should look for that can be corrected in Production that might be a challenge (or near impossible) to correct in Post?

Any common mistakes or issues to be cognizant of while working in Post?

Have read Notes on Using Red Camera dated 6-25-09 - (amongst other research) now am looking for an update or any specifics as it pertains to setting our Editor (and short film) up for success.

Thanks!
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Paralinx LLC

CineTape

K5600 Lighting

The Slider

Aerial Filmworks

Cinelicious

Zylight

Robert Starling

Visual Products

System Associates

Pro 8mm

Glidecam

Cool Lights

Cadrage Directors Viewfinder

Abel Cine

rebotnix Technologies

CineLab

Lemo Connectors

Ritter Battery