Jump to content




Photo

Any RED Post Issues that could've been accounted for in Production?


  • Please log in to reply
No replies to this topic

#1 Regina Ainsworth

Regina Ainsworth

    New

  • Basic Members
  • Pip
  • 1 posts
  • Director

Posted 30 January 2012 - 07:41 PM

Hi There,

We have a Director and AVID Editor about to start production in three weeks with a DP who owns and frequently operates the RED MX. Neither the Director nor the Editor have worked with the RED before. Is there any advice or pitfalls we should look for that can be corrected in Production that might be a challenge (or near impossible) to correct in Post?

Any common mistakes or issues to be cognizant of while working in Post?

Have read Notes on Using Red Camera dated 6-25-09 - (amongst other research) now am looking for an update or any specifics as it pertains to setting our Editor (and short film) up for success.

Thanks!
  • 0


CineLab

Glidecam

Ritter Battery

Paralinx LLC

The Slider

Sound and Picture

Abel Cine

Zylight

Robert Starling

NIBL

Rig Wheels Passport

rebotnix Technologies

Cinelicious

K5600 Lighting

Media Blackout - Custom Cables and AKS

Pro 8mm

ORCA Bags

Visual Products

CineTape

Technodolly

Tai Audio

Cadrage Directors Viewfinder

Aerial Filmworks

Visual Products

Ritter Battery

Paralinx LLC

Sound and Picture

CineTape

Tai Audio

NIBL

Glidecam

Robert Starling

Abel Cine

CineLab

Media Blackout - Custom Cables and AKS

K5600 Lighting

ORCA Bags

Zylight

Cadrage Directors Viewfinder

Technodolly

Rig Wheels Passport

Pro 8mm

rebotnix Technologies

Cinelicious

Aerial Filmworks

The Slider