Jump to content


Photo

Any RED Post Issues that could've been accounted for in Production?


  • Please log in to reply
No replies to this topic

#1 Regina Ainsworth

Regina Ainsworth

    New

  • Basic Members
  • Pip
  • 1 posts
  • Director

Posted 30 January 2012 - 07:41 PM

Hi There,

We have a Director and AVID Editor about to start production in three weeks with a DP who owns and frequently operates the RED MX. Neither the Director nor the Editor have worked with the RED before. Is there any advice or pitfalls we should look for that can be corrected in Production that might be a challenge (or near impossible) to correct in Post?

Any common mistakes or issues to be cognizant of while working in Post?

Have read Notes on Using Red Camera dated 6-25-09 - (amongst other research) now am looking for an update or any specifics as it pertains to setting our Editor (and short film) up for success.

Thanks!
  • 0


Abel Cine

Paralinx LLC

Aerial Filmworks

Willys Widgets

Wooden Camera

Gamma Ray Digital Inc

Ritter Battery

CineTape

Broadcast Solutions Inc

Metropolis Post

Media Blackout - Custom Cables and AKS

FJS International, LLC

New Pro Video - New and Used Equipment

CineLab

Glidecam

Technodolly

Tai Audio

Rig Wheels Passport

The Slider

rebotnix Technologies

Visual Products

Paralinx LLC

Willys Widgets

New Pro Video - New and Used Equipment

Tai Audio

Abel Cine

Broadcast Solutions Inc

FJS International, LLC

CineLab

Wooden Camera

Media Blackout - Custom Cables and AKS

Gamma Ray Digital Inc

Aerial Filmworks

Rig Wheels Passport

Metropolis Post

Visual Products

Glidecam

Technodolly

Ritter Battery

rebotnix Technologies

CineTape

The Slider