Jump to content




Photo

Any RED Post Issues that could've been accounted for in Production?


  • Please log in to reply
No replies to this topic

#1 Regina Ainsworth

Regina Ainsworth

    New

  • Basic Members
  • Pip
  • 1 posts
  • Director

Posted 30 January 2012 - 07:41 PM

Hi There,

We have a Director and AVID Editor about to start production in three weeks with a DP who owns and frequently operates the RED MX. Neither the Director nor the Editor have worked with the RED before. Is there any advice or pitfalls we should look for that can be corrected in Production that might be a challenge (or near impossible) to correct in Post?

Any common mistakes or issues to be cognizant of while working in Post?

Have read Notes on Using Red Camera dated 6-25-09 - (amongst other research) now am looking for an update or any specifics as it pertains to setting our Editor (and short film) up for success.

Thanks!
  • 0


CineTape

Aerial Filmworks

rebotnix Technologies

Paralinx LLC

Zylight

Technodolly

Ritter Battery

MustHD Monitors

K5600 Lighting

Rig Wheels Passport

Media Blackout - Custom Cables and AKS

CineLab

Pro 8mm

ORCA Bags

NIBL

Visual Products

Glidecam

The Slider

Tai Audio

Abel Cine

Cinelicious

Tai Audio

NIBL

CineTape

Technodolly

rebotnix Technologies

ORCA Bags

Abel Cine

Aerial Filmworks

MustHD Monitors

The Slider

CineLab

Rig Wheels Passport

Visual Products

Pro 8mm

Ritter Battery

Cinelicious

Paralinx LLC

K5600 Lighting

Glidecam

Media Blackout - Custom Cables and AKS

Zylight