Jump to content


Photo

Any RED Post Issues that could've been accounted for in Production?


  • Please log in to reply
No replies to this topic

#1 Regina Ainsworth

Regina Ainsworth

    New

  • Basic Members
  • Pip
  • 1 posts
  • Director

Posted 30 January 2012 - 07:41 PM

Hi There,

We have a Director and AVID Editor about to start production in three weeks with a DP who owns and frequently operates the RED MX. Neither the Director nor the Editor have worked with the RED before. Is there any advice or pitfalls we should look for that can be corrected in Production that might be a challenge (or near impossible) to correct in Post?

Any common mistakes or issues to be cognizant of while working in Post?

Have read Notes on Using Red Camera dated 6-25-09 - (amongst other research) now am looking for an update or any specifics as it pertains to setting our Editor (and short film) up for success.

Thanks!
  • 0


Technodolly

Ritter Battery

Visual Products

Aerial Filmworks

Paralinx LLC

ORCA Bags

Pro 8mm

Abel Cine

Cinelicious

Glidecam

NIBL

Zylight

The Slider

CineLab

PLC Electronics

rebotnix Technologies

K5600 Lighting

Media Blackout - Custom Cables and AKS

Tai Audio

Rig Wheels Passport

CineTape

Visual Products

Zylight

CineLab

PLC Electronics

Paralinx LLC

rebotnix Technologies

Rig Wheels Passport

Glidecam

CineTape

K5600 Lighting

The Slider

Pro 8mm

Media Blackout - Custom Cables and AKS

Aerial Filmworks

NIBL

Ritter Battery

ORCA Bags

Cinelicious

Abel Cine

Technodolly

Tai Audio