What are your thoughts on 500T in Vision2 5218 vs. Vision3 5219?
I will be doing a single shot in a church and thus I require a lot of overall contrast and deep blacks. The chapel inside the church is quite big and it will be lit with a few Xenon or PAR's blasting through haze. Without having readings taken I know that I will be limited with illumination, so 500 ASA film stock is a necessity.
The 5218 is cheaper, but obviously slightly grainier. I am not too concerned about grain and no DI or direct 35mm print will be involved. It'll be a standard telecine transfer in Fotokem in L.A.
What are your thoughts?
Edited by Ben Brahem Ziryab, 13 March 2012 - 03:37 PM.