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Looking for advice and articles on everything to do with being a DIT

DIT grading RAW Epic RED Footage editing workflow job

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#1 Peter Lyngso

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Posted 27 November 2012 - 10:58 PM

Hello there,
I am a freshmen undergrad in film school and recently got the position to work as a DIT and editor on an upcoming short. The short is a collaborative effort of one of our school clubs where we managed to get together to funds to shoot with an epic. During the shoot, which is coming up this spring, I am to apprentice a professional DIT and learn the ropes. Eventually taking over once I am comfortable with the procedures and so forth. I am also going to be grading and editing the RAW footage. So prior to when my apprenticeship begins I would like to have a firm knowledge of what I am getting myself into. So I was curious if anyone had any articles regarding the DIT workflow and responsibilities of the job. Also I am looking for any articles and info on grading RAW footage which I have experience with in terms of stills, and the RAW editing workflow.
Despite going into this without any experience in being a DIT, I am a very adequate editor in Final Cut and Premier. Just to let you know I’m not entirely unqualified for the position.
Summary: I am looking for all information, advice, and articles regarding being a DIT to a RED Epic, and grading and editing RAW footage.
Thanks!
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#2 Andrea Michelon

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Posted 16 December 2012 - 07:48 AM

I am looking for this too!
Thanks
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#3 Ryan Prouty

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Posted 05 June 2013 - 03:01 PM

There's no real text book as the craft is new, always changing, and each job is different.

 

I'd recommend some practices:

 

Color coding your work station to manage cards/media - I have a red box on the left of my system for "hot / exposed" cards and a green box for cards ready for format - that I've downloaded, verified, and visually QC'd.  Once they're done, they go to the green box, until being relabeled, formatted, and reshot on.  Full circle.

 

I would also recommend creating a spreadsheet to track your download activities.  I log the Roll number, the name I gave the card (IE If i have four cards, I name them after the ninja turtles, so if there's a card issue I know which one it is) the amount of data on that card, the amount of clips on that card, and checkboxes for making 2 backups, and one checkbox that I've QC'd the material.

 

Other than that, a good DIT always helps the DP / camera dept once his own responsibilities are taken care of - so have good set ettique at know what AC's need - batteries, a coffee, extra tape, something from the truck, I even track down cigs for the crew when I'm not busy - anything to make them remember you as very helpful - they're the ones hiring you most of the time!


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Abel Cine

The Slider

Willys Widgets

Glidecam

Aerial Filmworks

Media Blackout - Custom Cables and AKS

Wooden Camera

Tai Audio

Ritter Battery

New Pro Video - New and Used Equipment

rebotnix Technologies

Technodolly

Rig Wheels Passport

Paralinx LLC

Visual Products

CineLab

FJS International, LLC

Metropolis Post

Broadcast Solutions Inc

CineTape

Gamma Ray Digital Inc