Jump to content


Photo

How do you think this was lit?

lighting canon c300 interview talking head

  • Please log in to reply
5 replies to this topic

#1 Mark Klassen

Mark Klassen

    New

  • Basic Members
  • Pip
  • 6 posts

Posted 03 February 2013 - 12:07 PM

I saw this awesome video the other day by Garrett Shannon and I'm trying to figure out how he lit the interview/talking head portion. It's very clean and very soft, and I would like to figure out how to light something like that.

Posted Image

If anybody has any idea please share it here! BTW you can watch the video online here:

Cheers,

Mark
  • 0

#2 Phil Rhodes

Phil Rhodes
  • Sustaining Members
  • 12298 posts
  • Other

Posted 03 February 2013 - 12:44 PM

It's not entirely soft; things have defined shadows. Mainly, though, don't overlook the production design.
  • 0

#3 Shaan Aslam

Shaan Aslam
  • Basic Members
  • PipPip
  • 56 posts
  • Student

Posted 04 February 2013 - 12:55 AM

For the shot pictured, it was more likely than not a LARGE, soft source, at least as a key. Phil is right in that the lighter color of the set pieces definitely plays a big part. It helps in the making the scene bright (duh) and, in most viewers eyes, soft as well. He probably used a separate source for the shelf, something hard as the shadows camera right of the shelf are hard, but the shadow of the lamp camera right are soft and coming from a slightly different angle. Something to note are the differing shadows on both the two lamp shades in the scene.
  • 0

#4 Chris Mirden

Chris Mirden

    New

  • Basic Members
  • Pip
  • 9 posts
  • Director

Posted 04 February 2013 - 05:32 PM

I agree with what everyone previously said.

But I would not be surprised if there was also big windows in addition to the lights. And the location might have been chosen in part for having good natural light. Just a guess.

When I try to figure how something was lit I look into the eyes and look at the shape and size of the light/s reflected on the eye balls. It's easier to do with still images but it helps with cinematography too. I used to do it all the time while studying other people's portrait photography when I was learning. I could figure out if it was a soft box, an umbrella or a window, etc.

The light you can see her eyes looks pretty big and square and coming from her right, high up. It looks like a vary large window to me (unnatural lights have very defined edges and shapes). That might explain why you see shadows on her left in the background but not on her right. The window light might have been soft but to bring up the light on her left - where the window light was losing its power another light might have been used to balance it out.

Just a huge guess on my part :) However it was lit.... a lot of light was used.

Edited by Chris Mirden, 04 February 2013 - 05:35 PM.

  • 0

#5 Chris Mirden

Chris Mirden

    New

  • Basic Members
  • Pip
  • 9 posts
  • Director

Posted 04 February 2013 - 05:43 PM

Ahhhh!!! I take back what I said on this particular shot. But I've passed the time window to edit my post. I watched the whole video and you can see there is no window in the shot towards the end.

Whoever shot this just seems to like creating very large soft light sources. The shot where they couple are walking outdoors is also lit with a very large soft source.
  • 0

#6 John Hale

John Hale
  • Basic Members
  • PipPip
  • 14 posts
  • Cinematographer
  • Los Angeles

Posted 04 February 2013 - 10:59 PM

on the vimeo page the DP explains the lighst He used. He mentioned filling from the same side as the key, something I've been trying to play with in order to have a nice wraping light.
  • 0



Aerial Filmworks

Media Blackout - Custom Cables and AKS

Gamma Ray Digital Inc

Wooden Camera

Glidecam

Ritter Battery

Willys Widgets

Technodolly

Paralinx LLC

Abel Cine

Tai Audio

The Slider

Metropolis Post

CineTape

Visual Products

Rig Wheels Passport

FJS International, LLC

rebotnix Technologies

Broadcast Solutions Inc

CineLab

New Pro Video - New and Used Equipment

CineTape

Wooden Camera

Media Blackout - Custom Cables and AKS

Gamma Ray Digital Inc

Technodolly

Paralinx LLC

New Pro Video - New and Used Equipment

Willys Widgets

Broadcast Solutions Inc

Metropolis Post

CineLab

Rig Wheels Passport

Abel Cine

Visual Products

Aerial Filmworks

The Slider

Tai Audio

FJS International, LLC

Ritter Battery

Glidecam

rebotnix Technologies